A PAIR OF RUSSIAN ORMOLU TWO-BRANCH WALL-LIGHTS
A PAIR OF RUSSIAN ORMOLU TWO-BRANCH WALL-LIGHTS
A PAIR OF RUSSIAN ORMOLU TWO-BRANCH WALL-LIGHTS
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A PAIR OF RUSSIAN ORMOLU TWO-BRANCH WALL-LIGHTS

SAINT PETERSBURG, CIRCA 1790-1795

细节
A PAIR OF RUSSIAN ORMOLU TWO-BRANCH WALL-LIGHTS
SAINT PETERSBURG, CIRCA 1790-1795
Each with a columnar backplate below acanthus issuing double eagle heads, surmounted by an owl perched amid flowers, the two scrolling arms terminating in winged female figures holding turned nozzles, the terminals as winged figures above drapery swags, minor variations to chasing
19 ½ in. (49.5 cm.) high
来源
Acquired from Perrin, Paris.

荣誉呈献

Csongor Kis
Csongor Kis AVP, Specialist

拍品专文

At the end of the eighteenth and early nineteenth century, Russian palaces were predominantly furnished with objets d'art and furniture produced at Western European ateliers. To combat the outflow of capital from Russia and to help the development of local workshops, authorities implemented strict measures to make the import of foreign commodities more difficult. With the introduction of customs duties on all objets de luxe and the foundation of the Imperial bronze manufactory in 1778, local bronziers began to flourish in the late 1700s. In the late 1700s and early 1800s designers in Russia relied heavily on French models and forms. However, their works had a strong local flair and exhibited a distinct preference for certain decorative elements such as birds, winged sea-creatures, harpies and sphynxes, as evidenced by this pair of wall-lights. Candelabra with comparable bird and winged figures are illustrated I. Sychev, Russian Bronze, Moscow, 2002, pp. 77 and 82.

更多来自 奢华艺术:呈献法式家具杰作

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