GASTON SUISSE (1896-1988)
GASTON SUISSE (1896-1988)
GASTON SUISSE (1896-1988)
2 更多
GASTON SUISSE (1896-1988)
5 更多
Property from the Collection of Dr. Yann Rougier
GASTON SUISSE (1896-1988)

'Skyline' Four-Panel Screen, circa 1925

细节
GASTON SUISSE (1896-1988)
'Skyline' Four-Panel Screen, circa 1925
lacquered wood, graphite, eggshell powder inlay
67 ¾ (172 cm) high, 19 ¾ in. (50 cm) wide (each panel)
signed G SUISSE (lower right)
来源
Madame Gisèle Suisse, wife of the artist, Paris
Félix Marcilhac, Paris, 1995
Sotheby's Paris, Félix Marcilhac, Collection Privée, 12 March 2014, lot 285
Acquired from the above by the present owner
出版
E. Bréon, Gaston Suisse 1896-1968, Splendeur du Laque Art Déco, Paris, 2013, pp. 168-171 (present lot illustrated)
E. Bréon, Art Deco, The France-China Connection, Hong Kong, 2019, p. 138
E. Bréon, L'Art Déco, France Chine, Brussels, 2022, p. 107
展览
Paris, Galerie Félix Marcilhac, Gaston Suisse, October - November 2013, pp. 60-61 (present lot illustrated).
Saint-Quentin, Espace Saint-Jacques, L'Art Déco & Saint-Quentin, L'invention d'un style international, December 2015 - March 2016, p. 45 (present lot illustrated).
Paris, Cité de l'Architecture, Art déco, France – Amérique du Nord, October 2022 - March 2023.
更多详情
Christie’s would like to thank Dominique Suisse for his assistance with the cataloguing of this lot.

Last image: The present lot in Gaston Suisse's atelier, circa 1925. Photo: © Dominique Suisse (family archives).

荣誉呈献

Daphné Riou
Daphné Riou SVP, Senior Specialist, Head of Americas

拍品专文

In an abstract and geometric style, which became the hallmark of Gaston Suisse’s personal artistic exploration, the present ‘Skyline’ screen is decorated with a constructivist-inspired representation of a modern city at night. Layers of eggshell powder of varying densities were applied to the fresh Chinese lacquer using a sieve, while Suisse used stencils to define the lines where the eggshell powder is applied. This process, particularly complex in its execution, brings a vibrancy and lightness to the piece: the eggshell-inlaid lines stand out, shimmering against the black-lacquered background, echoing New York's illuminated skyscrapers at night.

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