BLAS DE LEDESMA (ACTIVE GRENADA 1602-1614)
BLAS DE LEDESMA (ACTIVE GRENADA 1602-1614)
BLAS DE LEDESMA (ACTIVE GRENADA 1602-1614)
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Property from a European Private Collection
BLAS DE LEDESMA (ACTIVE GRENADA 1602-1614)

Apples in a wicker basket with pomegranates and hollyhocks, on a table covered with a linen cloth

細節
BLAS DE LEDESMA (ACTIVE GRENADA 1602-1614)
Apples in a wicker basket with pomegranates and hollyhocks, on a table covered with a linen cloth
oil on canvas
23 7⁄8 x 31 ¾ in. (60.6 x 80.5 cm.)
來源
Contreras collection, Seville.
Cárabe collection, Madrid.
Private collection, Madrid, by 1978.
Anonymous sale [Property of a Private Collector]; Christie's, New York, 18 May 1994, lot 49A, where acquired by the present owner.
出版
R. Torres Martin, 'Blas de Ledesma y el origen del bodegonismo español,' Goya: Revista de Arte, 1974, p. 223, note 14.
R. Torres Martin, Los bodegones de Blas de Ledesma, Seville, 1976, n.p., no. 49, illustrated.
R. Torres Martin, Blas de Ledesma y el bodegon Español, Madrid, 1978, pp. 121 and 211, no. 103, illustrated.
展覽
Seville, Caja de Ahorros San Fernando, Los bodegones de Blas de Ledesma, June 1976, no. 49.

榮譽呈獻

Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II

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拍品專文

Blas de Ledesma was one of the earliest exponents of Spanish still-life painting and his works influenced a younger generation of Spanish artists, including Juan van der Hamen y León and Pedro de Camprobin. He is documented in Granada between 1602 and 1614, where, in addition to painting still lifes, he designed a stucco vault for the decoration of the Alhambra and was renowned for his decorative fresco grotesques. The stark design and symmetrical composition, with a wicker basket brimming with fruit flanked by flowers, is entirely consistent with the only known signed still life by the artist, now in the High Museum of Art, Atlanta (inv. no. 57.11).

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