拍品 85
85
A SILVER-MOUNTED CHINESE PORCELAIN BLUE AND WHITE JUG AND COVER
A SILVER-MOUNTED CHINESE PORCELAIN BLUE AND WHITE JUG AND COVER
A SILVER-MOUNTED CHINESE PORCELAIN BLUE AND WHITE JUG AND COVER
A SILVER-MOUNTED CHINESE PORCELAIN BLUE AND WHITE JUG AND COVER
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A SILVER-MOUNTED CHINESE PORCELAIN BLUE AND WHITE JUG AND COVER

THE PORCELAIN LATE MING DYNASTY, CHONGZHEN PERIOD (1628-1644), THE MOUNTS ENGLISH OR DUTCH, MID-17TH CENTURY

細節
A SILVER-MOUNTED CHINESE PORCELAIN BLUE AND WHITE JUG AND COVER
THE PORCELAIN LATE MING DYNASTY, CHONGZHEN PERIOD (1628-1644), THE MOUNTS ENGLISH OR DUTCH, MID-17TH CENTURY
Baluster form, the body painted with a figure presenting a vase to another figure being fanned by two followers, all in a rocky wooded park setting along a fenced river, the neck with further foliage and flowers, mounted with a hinged domed cover chased with swirling beads and scrolls around a beaded mask, apparently unmarked
9 7⁄8 in. (25.1 cm.) high
來源
Acquired from Galerie J. Kugel, Paris, 2002.
出版
T. Schroder, Renaissance and Baroque Silver, Mounted Porcelain and Ruby Glass from the Zilkha Collection, London, 2012, cat. no. 58, pp. 238-239.

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拍品專文

Jugs such as the present lot were created specifically for export; this jug was probably intended for the Dutch market based on the tulip decoration painted on the neck. The cover was likely created by someone familiar with the auricular style invented by Dutch silversmiths Paulus van Vianen (1570-1613) and his brother Adam (1569-1627) of Utrecht. This style, named for the resemblance of its swirling motifs to the human ear, was popular in the Netherlands at the beginning of the 17th century, but was also brought to England through Adam's son Christian (1600-1667) who worked for some years at the courts of Charles I and Charles II.

更多來自 環球瑰寶：塞利姆與瑪麗·茲爾哈人生珍藏

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