JOHN LA FARGE (1835-1910)
JOHN LA FARGE (1835-1910)
JOHN LA FARGE (1835-1910)
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JOHN LA FARGE (1835-1910)
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JOHN LA FARGE (1835-1910)

Camellia in Old Chinese Vase on Black Lacquer Table

細節
JOHN LA FARGE (1835-1910)
Camellia in Old Chinese Vase on Black Lacquer Table
watercolor, gouache and pencil on paper
image, 10 x 9 in. (25.4 x 22.9 cm.);
sheet, 10 ¾ x 9 in. (27.3 x 22.9 cm.)
Executed in 1879.
來源
The artist.
Leonard’s Gallery, Boston, Massachusetts, 18-19 December 1879, lot 14.
Mrs. James Barr Ames, Boston, Massachusetts, (probably) acquired from the above.
Private collection, by descent from the above.
Sotheby’s, New York, 23 May 2007, lot 3, sold by the above.
Avery Galleries, Bryn Mawr, Pennsylvania.
Acquired by the present owner from the above, 2007.
展覽
(Probably) New York, Union League Club, Works of Art, Exhibited at the March 1879 Meeting of the Union League Club, March 1879, no. 57.
Boston, Massachusetts, Museum of Fine Arts, La Farge Memorial Exhibition, January 1911.
Boston, Massachusetts, Museum of Fine Arts, John La Farge, February-April 1988.
New York, The Jordan-Volpe Gallery, Nature Vivante: The Still Lifes of John La Farge, April 28-June 9, 1995, pp. 45, 96, 133, no. 50, pl. 29, illustrated.
Philadelphia, Pennsylvania, Philadelphia Museum of Art, The Art of American Still Life: Audubon to Warhol, October 27, 2015-January 10, 2016, pp. 182, 201, pl. 78, illustrated.

榮譽呈獻

Paige Kestenman
Paige Kestenman Vice President, Senior Specialist

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According to Mark D. Mitchell, "La Farge collected Japanese art and incorporated Asian aesthetic principles and objects in his compositions from the very beginning of his career, around 1860, when he married the great-niece of Commodore Matthew Perry, who had opened trade between Japan and the West in 1854...La Farge's interest in Asian aesthetics continued...becoming a vehicle for some of his most expressive and enduring works." (The Art of American Still Life: Audubon to Warhol, exhibition catalogue, Philadelphia, Pennsylvania, 2015, p. 201). The present work is no exception, with a blossoming pink camellia placed in a Ming porcelain bowl, executed with the expressive brushwork and vivid color that is characteristic of La Farge's oeuvre.

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