WASHINGTON ALLSTON (1779-1843)
WASHINGTON ALLSTON (1779-1843)
WASHINGTON ALLSTON (1779-1843)
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WASHINGTON ALLSTON (1779-1843)
4 More
WASHINGTON ALLSTON (1779-1843)

Landscape, Evening

Details
WASHINGTON ALLSTON (1779-1843)
Landscape, Evening
oil on canvas
25 ½ x 34 ½ in. (64.8 x 87.6 cm.)
Painted in 1821.
Provenance
Warren Dutton, Boston, Massachusetts, by 1827.
Mrs. George M. Barnard, Jr., by 1879.
Victor Spark, New York, by 1948.
Acquired by the present owner by 1971.
Literature
W.F. Sweetser, Artist Biographies: Allston, Boston, Massachusetts, 1879, p. 187 (as Landscape).
E.P. Richardson, H.W.L Dana, "Catalogue of the Existing and Recorded Paintings of Washington Allston," in Washington Allston: A Study of the Romantic Artist in America, Chicago, Illinois, 1948, p. 208, no. 126, pl. LI, illustrated.
(Probably) C. Woodring, "American Wilderness," in H. De Almeida, ed., Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring, Newark, Delaware, 2015, p. 169 (as Classical Landscape).
Exhibited
(Probably) Boston, Massachusetts, Boston Athenaeum, 1827, no. 36.
(Probably) Boston, Massachusetts, Boston Athenaeum, 1831, no. 84.
Boston, Massachusetts, Harding's Gallery, Pictures Painted by Washington Allston, 1839, p. 5, no. 16 (as Landscape).
Boston, Massachusetts, Museum of Fine Arts, Exhibition of the Works of Washington Allston, 1881, p. 12, no. 208 (as Landscape).
Dallas, Texas, Dallas Museum of Fine Arts, The Romantic Vision in America, October 9-November 28, 1971.
Detroit, Michigan, Detroit Institute of Arts; Boston, Massachusetts, Museum of Fine Arts, Washington Allston, 1779-1843, May 11-August 24, 1947, no. 31.
Hartford, Connecticut, Wadsworth Atheneum; Washington, D.C., The Corcoran Gallery of Art, Views and Visions: American Landscape before 1830, September 21, 1986-March 29, 1987, pp. 71, 230, pl. 77, illustrated (as Landscape, Evening (Classical Landscape)).

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Quincie Dixon
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Lot Essay

Washington Allston was born in 1779 in South Carolina, where he attended school before studying at Harvard University. In 1801, Allston travelled to Europe, spending much of the next twenty years abroad, primarily staying in Italy. In 1818, he permanently settled in Massachusetts, working and exhibiting there until his death in 1843.

Allston's works "project a sense and mood of reverie. Suffused with the glow of a setting sun [as in the present work], or bathed in moonlight, they seem remembrances of things past—of dreams, of visions, of art. His compositions achieve a timelessness..." (Views and Visions: American Landscape before 1830, exhibition catalogue, Washington, D.C., 1986, p. 71) Indeed, the present work is no exception, highlighted by a glowing sky and classical nature that characterizes the best of Allston's compositions.

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