SALOMON VAN RUYSDAEL (NAARDEM 1600⁄03-1670 HAARLEM)
SALOMON VAN RUYSDAEL (NAARDEM 1600⁄03-1670 HAARLEM)
SALOMON VAN RUYSDAEL (NAARDEM 1600⁄03-1670 HAARLEM)
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SALOMON VAN RUYSDAEL (NAARDEM 1600⁄03-1670 HAARLEM)
6 More
Centuries of Taste: Legacy of a Private Collection
SALOMON VAN RUYSDAEL (NAARDEM 1600 / 03-1670 HAARLEM)

An estuary scene with a distant view of Haarlem; and An estuary scene with light shipping

Details
SALOMON VAN RUYSDAEL (NAARDEM 1600 / 03-1670 HAARLEM)
An estuary scene with a distant view of Haarlem; and An estuary scene with light shipping
the former signed with monogram 'SV[R?]' (lower right, on a spur)
oil on panel, a pair
the first 16 ½ x 14 5⁄8 in. (41.9 x 37.2 cm); the second 16 3⁄8 x 14 5⁄8 in. (41.6 x 37.2 cm.)(2)
a pair
Provenance
Anonymous sale; Hotel Drouot, Paris, 20 November 1929, lot 99, (only the former).
with W.E. Duits, London, by 1930 until 1934.
Anton W.M. Mensing (1866-1936); his deceased sale, Frederik Muller & Co., Amsterdam, 15 November 1938, lots 92a and 92b, for FF 4,600 to the following,
with Rosenberg, Paris.
Private collection, and by descent until sold,
[Property from a Private Collection]; Sotheby's, London, 8 December 2010, lot 24.
with Johnny van Haeften, London, where acquired in 2012 by the present owner.
Literature
W. Stechow, Salomon van Ruysdael, Berlin, 1938, p. 78, nos. 60 and 61.
W. Stechow, Salomon van Ruysdael, Berlin, 1975, p. 78, nos. 60 and 61.

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Lot Essay

This atmospheric pair of estuary scenes by Salomon van Ruysdael belongs to a group of works from the mid- to late-1650s and early 1660s, executed on small panels of similar size. Pairs are relatively unusual in the artist’s oeuvre, and most are upright like the present lot.

Ruysdael developed an interest in working on an upright format presumably to explore new compositional possibilities, giving greater emphasis to verticality and soaring skies. Typically, around three quarters of the paint surfaces are devoted to the sky, with billowing clouds, shown receding into the far distance, with only the narrowest strips of land serving to divide sky and water. Some feature recognizable towns such as Haarlem, as in the first of this pair, but more frequently the artist eschews topographical detail for a purer focus on the day-to-day activities taking place on a river estuary. The masts of the various vessels provide vertical accents that further strengthen the spatial harmony of the compositions. Here, Ruysdael renders the thick clouds and choppy waters with a characteristic fluidity, with rapid brushwork applied wet-in-wet over a pink and buff ground.

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