Four costume designs for dancing Tartars

细节

LEONARDO MARINI (CIRCA 1730-1797)
Four costume designs for dancing Tartars
(i) inscribed 'Tartara Quartetto/ Abito di raso color di marone cupo mosaico di nastro color di rosa/ guarnizione di pelle bianca macchiata. Sott abito di tafetá celeste guarnizione/ di ricamo di Lustrini d' arg^o pizzo in fine. Camiscia di velo strisciato rosa/ Collane, ed attorno al bonetto cascate di zecchini d'oro. fascia bianca, e oro' (lower center) and numbered '33' (upper right).
(ii) inscribed 'Tartaro' (lower center) and numbered '20' (upper right).
(iii) inscribed 'Tartaro' (lower center) and numbered '32' (upper right).
(iv) inscribed 'Tartara' (lower center) and numbered '21' (upper right).
black chalk, pen and black ink, watercolor
13 x 8 ¾ in. (33.5 x 22.5 cm)

业务规定

荣誉呈献

Giada Damen, Ph.D. AVP, Specialist, Head of Sale

gdamen@christies.com +1 212 641 7532

拍品专文

These four drawings were part of an album with costume designs produced for operas performed at the Teatro Reale in Turin. Marini, originally from Piedmont, began to design for the theater in 1769 and was employed by King Amedeo III of Sardinia. Tartars featured as characters in the opera Tamas Kouli-Kan nell'India by Italian composer Gaetano Pugnani, performed in the royal theater in 1772.

Four costume designs for dancing Tartars

荣誉呈献

拍品专文

更多来自 古典大师及英国绘画

更多来自古典大师及英国绘画