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WOLFGANG TILLMANS: THE WAY WE LOOK
WOLFGANG TILLMANS (B. 1968)
JAL
Details
WOLFGANG TILLMANS (B. 1968)
JAL
signed, titled, inscribed, numbered and dated 'JAL ph 2 97 pr WT 98 7⁄10 + 1 Wolfgang Tillmans' (on the reverse)
chromogenic print
image: 13 5⁄8 x 9in. (34.5 x 22.7cm.)
sheet: 16 x 12in. (40.6 x 30.5cm.)
Photographed in 1997 and printed in 1998, this work is number seven from an edition of ten plus one artist's proof
JAL
signed, titled, inscribed, numbered and dated 'JAL ph 2 97 pr WT 98 7⁄10 + 1 Wolfgang Tillmans' (on the reverse)
chromogenic print
image: 13 5⁄8 x 9in. (34.5 x 22.7cm.)
sheet: 16 x 12in. (40.6 x 30.5cm.)
Photographed in 1997 and printed in 1998, this work is number seven from an edition of ten plus one artist's proof
Provenance
Acquired directly from the artist by the present owner.
Literature
W. Tillmans (ed.), Wolfgang Tillmans: Burg, Cologne 1998, p. 4 and 119 (illustrated in colour, p. 120; installation view of another version at Chisenhale Gallery in 1997 illustrated in colour, p. 162).
B. Riemschneider (ed.), Wolfgang Tillmans, Cologne 2002, pp. 154 and 271 (illustrated in colour, p. 272; installation view of another version at Chisenhale Gallery in 1997 illustrated in colour, p. 312).
J. Verwoert, P. Halley, et al., Wolfgang Tillmans, London 2002, p. 160 (illustrated in colour, p. 37).
J. Verwoert, P. Halley, et al., Wolfgang Tillmans, London 2014, p. 236 (illustrated in colour, p. 37).
B. Riemschneider (ed.), Wolfgang Tillmans, Cologne 2002, pp. 154 and 271 (illustrated in colour, p. 272; installation view of another version at Chisenhale Gallery in 1997 illustrated in colour, p. 312).
J. Verwoert, P. Halley, et al., Wolfgang Tillmans, London 2002, p. 160 (illustrated in colour, p. 37).
J. Verwoert, P. Halley, et al., Wolfgang Tillmans, London 2014, p. 236 (illustrated in colour, p. 37).
Exhibited
London, Chisenhale Gallery, I Didn't Inhale, 1997 (another version exhibited).
London, Maureen Paley, Sapce Between Two Buildings, 1999 (another version exhibited).
London, Tate Britain, Wolfgang Tillmans: if one thing matters, everything matters, 2003, no. 1997-007 (another version exhibited, illustrated in colour, p. 125).
Madrid, Museo Nacional Centro de Arte Reina Sofía, Taschen Collection, 2004-2005, pp. 238 and 253 (another version exhibited, illustrated in colour, p. 236).
Stockholm, Moderna Museet, Wolfgang Tillmans, 2012-2013 (another version exhibited).
Porto, Museu de Arte Contemporânea de Serralves, Wolfgang Tillmans: On the Verge of Visibility, 2016 (another version exhibited).
Berlin, Berlinische Galerie Museum für Moderne Kunst, Faraway Focus: Photographers Go Travelling 1880-2015, 2017 (another version exhibited).
Basel, Fondation Beyeler, Wolfgang Tillmans, 2017, p. 302 (another example exhibited, illustrated in colour, p. 270).
London, Tate Modern, Wolfgang Tillmans, 2017 (another version exhibited, illustrated in colour, p. 35).
New York, Museum of Modern Art, Wolfgang Tillmans To look without fear, 2022-2023, p. 314 (installation view at Maureen Paley in 1999 illustrated in colour, p. 114). This exhibition later travelled to Ontario, Art Gallery of Ontario and San Francisco, San Francisco Museum of Modern Art.
London, Maureen Paley, Sapce Between Two Buildings, 1999 (another version exhibited).
London, Tate Britain, Wolfgang Tillmans: if one thing matters, everything matters, 2003, no. 1997-007 (another version exhibited, illustrated in colour, p. 125).
Madrid, Museo Nacional Centro de Arte Reina Sofía, Taschen Collection, 2004-2005, pp. 238 and 253 (another version exhibited, illustrated in colour, p. 236).
Stockholm, Moderna Museet, Wolfgang Tillmans, 2012-2013 (another version exhibited).
Porto, Museu de Arte Contemporânea de Serralves, Wolfgang Tillmans: On the Verge of Visibility, 2016 (another version exhibited).
Berlin, Berlinische Galerie Museum für Moderne Kunst, Faraway Focus: Photographers Go Travelling 1880-2015, 2017 (another version exhibited).
Basel, Fondation Beyeler, Wolfgang Tillmans, 2017, p. 302 (another example exhibited, illustrated in colour, p. 270).
London, Tate Modern, Wolfgang Tillmans, 2017 (another version exhibited, illustrated in colour, p. 35).
New York, Museum of Modern Art, Wolfgang Tillmans To look without fear, 2022-2023, p. 314 (installation view at Maureen Paley in 1999 illustrated in colour, p. 114). This exhibition later travelled to Ontario, Art Gallery of Ontario and San Francisco, San Francisco Museum of Modern Art.
Further Details
Other versions are in the collections of Tate, London and Stedelijk Museum, Amsterdam.
Brought to you by
Stephanie Rao
Specialist, Co-head of Day Sale