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PROPERTY FROM A DISTINGUISHED EUROPEAN COLLECTION
ED RUSCHA (B. 1937)
Pools #1-#9 (from the Pools Series)
Details
ED RUSCHA (B. 1937)
Pools #1-#9 (from the Pools Series)
each: signed, numbered and dated 'Ed Ruscha 1968-1997 30⁄30' (on the reverse)
Ektacolour prints, in nine parts
each image: 16 x 16in. (40.6 x 40.6cm.)
each sheet: 18 ½ x 18 ½in. (46.9 x 46.9cm.)(9)
Photographed in 1968 and printed in 1997, this work is number thirty from an edition of thirty plus ten artist's proofs and one printer's proof
Pools #1-#9 (from the Pools Series)
each: signed, numbered and dated 'Ed Ruscha 1968-1997 30⁄30' (on the reverse)
Ektacolour prints, in nine parts
each image: 16 x 16in. (40.6 x 40.6cm.)
each sheet: 18 ½ x 18 ½in. (46.9 x 46.9cm.)(9)
Photographed in 1968 and printed in 1997, this work is number thirty from an edition of thirty plus ten artist's proofs and one printer's proof
Provenance
Patrick Painter Editions, Hong Kong.
Acquired from the above by the present owner in 2007.
Acquired from the above by the present owner in 2007.
Literature
S. Engberg and C. Phillpo (eds.), Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, volume. 1, Minneapolis 1999, nos. 261-269 (Pool #4, Pool #5, Pool #6 and Pool #7, illustrated in colour, pp. 68-70).
S. Engberg and C. Phillpo (eds.), Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, volume. 2, Minneapolis 1999, pp. 46, 118 and 154, figs. 50-53 and nos. 261-269 (illustrated in colour, p. 47).
R.D. Marshall, Ed Ruscha, London 2003, pp. 60 and 269 (illustrated in colour, pp. 82-85).
S. Engberg and C. Phillpo (eds.), Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, volume. 2, Minneapolis 1999, pp. 46, 118 and 154, figs. 50-53 and nos. 261-269 (illustrated in colour, p. 47).
R.D. Marshall, Ed Ruscha, London 2003, pp. 60 and 269 (illustrated in colour, pp. 82-85).
Exhibited
Bonn, Kunstmuseum Bonn, Great Illusions: Demand, Gursky, Ruscha, 1999, p. 97 (other examples of Pool #1-Pool #9 exhibited and illustrated in colour, pp.71-75). This exhibition later travelled to Miami, Museum of Contemporary Art.
San Diego, The Museum of Photographic Arts, The Discerning Eye: Southern California Collects, 2003-2004 (another from the edition exhibited).
Paris, Galerie Daniel Templon, Ed Ruscha: Parking Lots and Swimming Pools, 2003-2004 (another from the edition exhibited).
New York, Whitney Museum of American Art, Ed Ruscha and Photography, 2004, nos. 174 and 175 and 282 (another from the edition of Pool #7 and Pool #5 exhibited, illustrated in colour, pp. 156 and 157).
New York, Yancey Richardson Gallery, Ed Ruscha: Pools, Parking Lots, Gasoline Stations, and Sunset Strip, 2005 (another from the edition exhibited).
Paris, Jeu de Paume, Ed Ruscha, Photographer, 2006, pls. 124-127 and 164 (another from the edition of Pool #6, Pool #7, Pool #8, and Pool #9 exhibited and illustrated in colour, pp. 122-123 and 227). This exhibition later travelled to Zurich, Kunsthaus Zürich and Cologne, Museum Ludwig.
San Francisco, Fine Arts Museum of San Francisco, Ed Ruscha and the Great American West, 2016, pp. 93 and 227, pls. 62-70, nos. 85-93 (another from the edition exhibited; illustrated in colour, pp. 101 and 226).
San Diego, The Museum of Photographic Arts, The Discerning Eye: Southern California Collects, 2003-2004 (another from the edition exhibited).
Paris, Galerie Daniel Templon, Ed Ruscha: Parking Lots and Swimming Pools, 2003-2004 (another from the edition exhibited).
New York, Whitney Museum of American Art, Ed Ruscha and Photography, 2004, nos. 174 and 175 and 282 (another from the edition of Pool #7 and Pool #5 exhibited, illustrated in colour, pp. 156 and 157).
New York, Yancey Richardson Gallery, Ed Ruscha: Pools, Parking Lots, Gasoline Stations, and Sunset Strip, 2005 (another from the edition exhibited).
Paris, Jeu de Paume, Ed Ruscha, Photographer, 2006, pls. 124-127 and 164 (another from the edition of Pool #6, Pool #7, Pool #8, and Pool #9 exhibited and illustrated in colour, pp. 122-123 and 227). This exhibition later travelled to Zurich, Kunsthaus Zürich and Cologne, Museum Ludwig.
San Francisco, Fine Arts Museum of San Francisco, Ed Ruscha and the Great American West, 2016, pp. 93 and 227, pls. 62-70, nos. 85-93 (another from the edition exhibited; illustrated in colour, pp. 101 and 226).
Sale room notice
Please note that each work is signed, numbered and dated 'Ed Ruscha 1968-1997 30⁄30' (on the reverse).
Brought to you by
Stephanie Rao
Specialist, Co-head of Day Sale