A LARGE AND IMPORTANT CLOISONNE ENAMEL VASE WITH DUCKS
A LARGE AND IMPORTANT CLOISONNE ENAMEL VASE WITH DUCKS
A LARGE AND IMPORTANT CLOISONNE ENAMEL VASE WITH DUCKS
2 更多
A LARGE AND IMPORTANT CLOISONNE ENAMEL VASE WITH DUCKS
5 更多
PROPERTY FROM A PRIVATE SWISS COLLECTION
A LARGE AND IMPORTANT CLOISONNE ENAMEL VASE WITH DUCKS

MEIJI PERIOD (LATE 19TH CENTURY), SEALED SAGIKAKE (WORSHOP OF NAMIKAWA SOSUKE; 1847-1910)

细节
A LARGE AND IMPORTANT CLOISONNE ENAMEL VASE WITH DUCKS
MEIJI PERIOD (LATE 19TH CENTURY), SEALED SAGIKAKE (WORSHOP OF NAMIKAWA SOSUKE; 1847-1910)
With shakudo rims; seal on the base
20 7⁄8 in. (53 cm.) high
来源
Barry Davies Oriental Art Ltd, London
Acquired from the above in 1996
Thence by descent

荣誉呈献

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

拍品专文

Together with Namikawa Yasuyuki, Sosuke was appointed as a Teishitsu Gigeiin (Imperial Artist) in 1896. Sosuke pioneered a pictorial style of cloisonné enameling also known as "wireless cloisonné" around 1879, in which the usual wires are either absent or invisible. He was able to merge different colors and shades together giving the impression of brush painting, although he also often used some wire to enhance the composition. Although Sosuke often depicted illustrations by well-known painters, such as Watanabe Seitei (1851-1918), he was a great artist in his own right. He is well known for the thirty-two cloisonné oval panels in the Kacho no ma (Hall of Flowers and Birds) in Japan's State Guest House Akasaka Palace, images of which are accessible online.
For a pair of almost identical vases by the same artist, see Robert Mintz, Japanese Cloisonne Enamel – The Stephen W. Fisher Collection (Baltimore: The Walters Art Museum, 2010), exh. cat. pp. 62-65.

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