A 'LOTUS FLOWER' GALLERY CARPET
A 'LOTUS FLOWER' GALLERY CARPET
A 'LOTUS FLOWER' GALLERY CARPET
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A 'LOTUS FLOWER' GALLERY CARPET
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PROPERTY FROM THE COLLECTION OF HANS KÖNIG
A 'LOTUS FLOWER' GALLERY CARPET

NINGXIA, NORTH CHINA, KANGXI PERIOD, SECOND HALF 17TH CENTURY

細節
A 'LOTUS FLOWER' GALLERY CARPET
NINGXIA, NORTH CHINA, KANGXI PERIOD, SECOND HALF 17TH CENTURY
Uneven areas of wear with associated repiling and restoration, selvages lacking
16ft.2in. x 5ft.5in. (494cm. x 169cm.)
來源
Frank Michaelian, New York
Anon. sale American Art Galleries, New York, 25 April 1925, lot 132
The Dikran Kelekian Collection, Parke-Bernet Galleries, New York, 23 October 1953, lot 644
Anon. sale, Edelmann Galleries, New York, 26 September 1979, lot 143, from where purchased
Thence by descent
出版
M. Franses, Classical Chinese Carpets in Western Collections, London, 2002, pl.8
展覽
Glanz der Himmelssöhne: Kaiserliche Teppiche aus China 1400–1750, Museum für Ostasiatische Kunst, Köln, 2005-2006, illustrated in the exhibition catalogue (Hans König & Michael Franses, London, 2005, pp.74-5, pl.11)

榮譽呈獻

Phoebe Jowett Smith
Phoebe Jowett Smith Department Coordinator

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拍品專文

The design of indigo lotus flowers and linked scrolling, leafy vine is set upon a tan-coloured field that is not too distant from its once rich red field. The same treatment of the lotus flowers can be seen here as in the Michaelian lotus and butterfly fragment (lot 146 in the present sale), but the leaves have now become a uniform colour. A number of long format carpets from the imperial Wanli group and the Kangxi period survive, some of which measure over 6.5m in length but which are usually less than 2m. in width. The intended use of these long, narrow carpets is not entirely clear as their size does not conform with the usual functions.

Among the corpus of surviving carpets with all-over lotus designs, some depict different flower variations while others show only one. The relation of this design to woven silks has been long established and seems very strong in this example due to the exactitude in which the dominant flowers are set in the branches. In later Chinese rugs the flowers tend to be larger. The field of this carpet relates to a carpet formerly in the Thyssen Bornemisza Collection (F. Spuhler, The Thyssen-Bornemisza Collection, Carpets and Textiles, London, 1998, pp.212-3, pl.54) which shows an overall pattern of peonies which, as with all Chinese carpets, does not present the design as an endless pattern on which the border is superimposed as a frame, but rather is complete and contained within the field with a narrow undecorated strip all around, sold Sotheby's London, 6 November 2018, lot 100.

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