A BEIJING ENAMEL ‘EUROPEAN SUBJECT’ MINIATURE VASE
A BEIJING ENAMEL ‘EUROPEAN SUBJECT’ MINIATURE VASE
A BEIJING ENAMEL ‘EUROPEAN SUBJECT’ MINIATURE VASE
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Property of a Hong Kong Collector
A BEIJING ENAMEL ‘EUROPEAN SUBJECT’ MINIATURE VASE

QIANLONG FOUR-CHARACTER MARK IN BLUE ENAMEL WITHIN A DOUBLE SQUARE AND OF THE PERIOD (1736-1795)

细节
2 3⁄8 in. (6 cm.) high
来源
Property of an estate; sold at Sotheby’s New York, 29-30 November 1993, lot 101
Property from a private Canadian collection; sold at Sotheby’s Hong Kong, 30 October 2002, lot 205
Property from an Asian collection; sold at Sotheby’s Hong Kong, 9 October 2007, lot 1540

荣誉呈献

Marco Almeida (安偉達)
Marco Almeida (安偉達) SVP, Senior International Specialist, Head of Department & Head of Private Sales

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拍品专文

The intricate design and craftsmanship of the present miniature hu reflect the high artistic standards and innovative techniques of the Enamel Workshop within the Zaobanchu (Imperial Palace Workshop) during the Qianlong period. The theme of mother and child was particularly popular during this time, likely introduced by the French Jesuit artist Jean-Denis Attiret (1702-1768). Interestingly, the 'European mother and child' motif was adapted into a 'Chinese mother and child' design, possibly to cater to Chinese tastes.

Compare to a painted enamel zhadou decorated with the same theme against a similar decorative ground is in the collection of the National Palace Museum, Taipei, collection number: gufa000564N (fig. 1). Compare also to a painted enamel snuff bottle with similar composition, also in the collection of the National Palace Museum, Taipei, collection number: gufa000820N (fig. 2).

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