A WHITE JADE CARVING OF A MUSICIAN HOLDING A SHENG
A WHITE JADE CARVING OF A MUSICIAN HOLDING A SHENG
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Property of a Gentleman
A WHITE JADE CARVING OF A MUSICIAN HOLDING A SHENG

TANG-SONG DYNASTY (618-1279)

Details
A WHITE JADE CARVING OF A MUSICIAN HOLDING A SHENG
TANG-SONG DYNASTY (618-1279)
1 1⁄2 in. (3.7 cm.) high
Provenance
A Taiwanese private collection, prior to 1993
Literature
Liu Liangyou, Archaic Chinese Jade-A New Approach, Taipei, 1993, p.334

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Marco Almeida (安偉達)
Marco Almeida (安偉達) SVP, Senior International Specialist, Head of Department & Head of Private Sales

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Lot Essay

The Book of Songs states, “I have esteemed guests, and I play the se and blow the sheng.” which vividly illustrates the importance the Zhou-dynasty people placed on ritual and music. The sheng has been a significant musical instrument since the pre-Qin era, and its use became even more widespread during the Tang and Song dynasties, frequently appearing in jade carvings, musical compositions, and poetry. Compare with a Tang dynasty white jade plaque of a musician holding a sheng, illustrated in Zhongguo yuqi quanji, vol.5, Hebei, 1993, no.62.

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