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Leonard & Louise Riggio: Collected Works
STAN DOUGLAS (B. 1960)
A Luta Continua, 1974
细节
STAN DOUGLAS (B. 1960)
A Luta Continua, 1974
signed and dated 'Stan Douglas 21/3/12' (on a certificate of authenticity label affixed to the reverse)
chromogenic print, flush-mounted on Dibond, in artist-appointed frame
image: 47 ½ x 71 ¼ in. (120.7 x 181 cm.)
sheet/flush mount: 48 x 71 ¾ in. (121.9 x 182.2 cm.)
overall framed: 50 ½ x 74 ¼ x 2 1⁄2 in. (128.2 188.5 cm.)
Executed in 2012. This work is number two from an edition of five plus two artist's proofs.
A Luta Continua, 1974
signed and dated 'Stan Douglas 21/3/12' (on a certificate of authenticity label affixed to the reverse)
chromogenic print, flush-mounted on Dibond, in artist-appointed frame
image: 47 ½ x 71 ¼ in. (120.7 x 181 cm.)
sheet/flush mount: 48 x 71 ¾ in. (121.9 x 182.2 cm.)
overall framed: 50 ½ x 74 ¼ x 2 1⁄2 in. (128.2 188.5 cm.)
Executed in 2012. This work is number two from an edition of five plus two artist's proofs.
来源
David Zwirner, New York
Acquired from the above by the present owner, 2012
Acquired from the above by the present owner, 2012
出版
R. Kushner, "Rebel Movement," Artforum, vol. 50, no. 8 , April 2012, pp. 176 and 178 (illustrated).
C. Davies and N. Stelte, "Disco and the Angolan Civil War," New Yorker, 21 March 2012, digital (illustrated).
A. Doran, "Stan Douglas: David Zwirner," Art in America, June/July 2012, p. 158 (illustrated).
J. Farago, "Stan Douglas: David Zwirner," frieze, June/July/August 2012, no. 148, pp. 208-209, no. 3 (illustrated).
S. O’Toole, "Stan Douglas: Disco Angola - Fictional Histories," foam, no. 31, Summer 2012, pp. 109 and 128 (illustrated).
Stan Douglas: Scotiabank Photography Award, exh. cat., Göttingen, 2014, pp. 215 and 295 (another example illustrated).
C. Davies and N. Stelte, "Disco and the Angolan Civil War," New Yorker, 21 March 2012, digital (illustrated).
A. Doran, "Stan Douglas: David Zwirner," Art in America, June/July 2012, p. 158 (illustrated).
J. Farago, "Stan Douglas: David Zwirner," frieze, June/July/August 2012, no. 148, pp. 208-209, no. 3 (illustrated).
S. O’Toole, "Stan Douglas: Disco Angola - Fictional Histories," foam, no. 31, Summer 2012, pp. 109 and 128 (illustrated).
Stan Douglas: Scotiabank Photography Award, exh. cat., Göttingen, 2014, pp. 215 and 295 (another example illustrated).
展览
New York, David Zwirner, Stan Douglas: Disco Angola, March-April 2012.
New York, Museum of Modern Art, XL: 19 New Acquisitions in Photography, May 2013-January 2014 (another example exhibited).
Geneva, Centre de la photographie Genève, FALSEFAKES - 50JPG, June-July 2013 (another example exhibited).
Nîmes, Carré d’Art - Musée d’Art Contemporain; Munich, Haus der Kunst; Copenhagen, Nikolaj Kunsthal and Dublin, Irish Museum of Modern Art, Stan Douglas: Photographs 2008-2013, October 2013-September 2015, pp. 136-137 and 205 (another example exhibited and illustrated).
London, Victoria Miro, Stan Douglas: Disco Angola, November 2013-January 2014 (another example exhibited).
Lisbon, Museu Coleção Berardo and Brussels, WIELS, Stan Douglas: Interregnum, October 2015-February 2016 (Lisbon, pp. 47 and 54, another example exhibited and illustrated; Brussels, pp. 137, 142 and 144, another example exhibited and illustrated).
Berlin, Julia Stoschek Collection, Stan Douglas: SPLICING BLOCK, November 2019-March 2020, pp. 74-75 (another example exhibited and illustrated).
New York, Museum of Modern Art, XL: 19 New Acquisitions in Photography, May 2013-January 2014 (another example exhibited).
Geneva, Centre de la photographie Genève, FALSEFAKES - 50JPG, June-July 2013 (another example exhibited).
Nîmes, Carré d’Art - Musée d’Art Contemporain; Munich, Haus der Kunst; Copenhagen, Nikolaj Kunsthal and Dublin, Irish Museum of Modern Art, Stan Douglas: Photographs 2008-2013, October 2013-September 2015, pp. 136-137 and 205 (another example exhibited and illustrated).
London, Victoria Miro, Stan Douglas: Disco Angola, November 2013-January 2014 (another example exhibited).
Lisbon, Museu Coleção Berardo and Brussels, WIELS, Stan Douglas: Interregnum, October 2015-February 2016 (Lisbon, pp. 47 and 54, another example exhibited and illustrated; Brussels, pp. 137, 142 and 144, another example exhibited and illustrated).
Berlin, Julia Stoschek Collection, Stan Douglas: SPLICING BLOCK, November 2019-March 2020, pp. 74-75 (another example exhibited and illustrated).
荣誉呈献
Vanessa Fusco
International Director, Head of Department, Impressionist & Modern Art