RAOUL DUFY (1877-1953)
RAOUL DUFY (1877-1953)
RAOUL DUFY (1877-1953)
RAOUL DUFY (1877-1953)
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PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION
RAOUL DUFY (1877-1953)

Une présentation chez Schiaparelli

Details
RAOUL DUFY (1877-1953)
Une présentation chez Schiaparelli
signed 'Raoul Dufy' (lower center)
oil and pen and India ink on canvas squared for transfer
25 ½ x 31 ¾ in. (65 x 80.6 cm.)
Executed circa 1935
Provenance
Galerie Drouant-David, Paris.
M. Chapro, Beverly Hills (acquired from the above, 1956, then by descent).
Acquired from the above by the present owner, 2001.
Literature
M. Laffaille, Raoul Dufy: Catalogue raisonné de l'oeuvre peint, Geneva, 1977, vol. 4, p. 134, no. 1568 (illustrated; with incorrect dimensions).

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Emmanuelle Loulmet
Emmanuelle Loulmet Associate Specialist, Acting Head of Day Sale

Lot Essay

In the mid-1930s, Raoul Dufy executed several paintings and drawings depicting the atelier of Elsa Schiaparelli, the trailblazing Italian haute couture designer. The present work depicts the Hôtel de Fontpertuis, where the Maison Schiaparelli moved its headquarters in 1935. This five-story, eighteenth-century Parisian hôtel particulier was renovated by interior designer Jean-Michel Frank and sculptor Alberto Giacometti to include a showroom, with large windows overlooking the Place Vendôme. In this fabulous, ornate space, svelte young women modeled Schiaparelli's innovative collections. Schiaparelli cultivated elegance and extravagance in both her fashion designs and shows, the sparkling energy of which is encapsulated in Dufy's Une présentation chez Schiaparelli.
Schiaparelli's clothing, accessories and perfume bottle designs provide further evidence of her engagement with the Parisian avant-garde in the 1920s and 1930s. She was inspired by and often worked directly with modern artists, including the Surrealists Jean Cocteau, Salvador Dalí, René Magritte and Man Ray. In the words of fashion historian Rebecca Arnold, Schiaparelli's commercial collaboration with the visual art of Surrealism "brought the movement's love of juxtapositions... into the physical realm, with Schiaparelli's wearers turning their bodies into statements on art, culture, and sexuality" (Fashion: A Very Short Introduction, Oxford, 2009, p. 42) . In his preparatory painting Une présentation chez Schiaparelli, Dufy, who himself worked as a textile designer, paid homage to Schiaparelli's own creative, fashion-forward brand of genius.

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