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Jaunty & Mame
Details
JOHN CURRIN (B. 1962)
Jaunty & Mame
signed and dated 'John Currin 1997' (on the overlap)
oil on canvas
48 x 36 in. (121.9 x 91.4 cm.)
Painted in 1997.
Jaunty & Mame
signed and dated 'John Currin 1997' (on the overlap)
oil on canvas
48 x 36 in. (121.9 x 91.4 cm.)
Painted in 1997.
Provenance
Andrea Rosen Gallery, New York
Charles Saatchi, London
Lorinda Ash Fine Art, New York
Sammlung Sander, Germany
Andrea Rosen Gallery, New York
Acquired from the above by the present owner, 2009
Charles Saatchi, London
Lorinda Ash Fine Art, New York
Sammlung Sander, Germany
Andrea Rosen Gallery, New York
Acquired from the above by the present owner, 2009
Literature
H. Halle, “Thanks for the Mammaries: John Currin Proves the Breast is Yet to Come,” Time Out New York, 30 October 1997, p. 41 (illustrated).
R. Smith, “Art in Review,” The New York Times, 7 November 1997, p. E37.
M. Licht, “Art ‘n Shit: A Classy Show by One of America’s Greatest Artists,” Juggs, May 1998, p. 43 (illustrated).
D. Usborne, "Painted Ladies," The Independent, 12 September 1998, p. 24 (illustrated).
M. Collings, This Is Modern Art, New York, 2000, p. 256-258 (illustrated; incorrectly titled Jaunty & Maine).
R. Lacayo, "Designing Women: John Currin Is the Big Painter of the Moment; His Retrospective Makes You Ask, Does Size Matter?", Time, 13 December 2003, p. 80.
R. Rubinstein, "A Painter in Midcurrent," Art in America, vol. 92, no. 6, June-July 2004, p. 161 (illustrated).
K. V. Weg and R. Dergan, eds., John Currin, New York, 2006, pp. 35 and 194-195 (illustrated).
A. Rosen, 25 Years of Andrea Rosen Gallery, New York, 2014, vol. 26, p. 76 (installation view illustrated).
R. Smith, “Art in Review,” The New York Times, 7 November 1997, p. E37.
M. Licht, “Art ‘n Shit: A Classy Show by One of America’s Greatest Artists,” Juggs, May 1998, p. 43 (illustrated).
D. Usborne, "Painted Ladies," The Independent, 12 September 1998, p. 24 (illustrated).
M. Collings, This Is Modern Art, New York, 2000, p. 256-258 (illustrated; incorrectly titled Jaunty & Maine).
R. Lacayo, "Designing Women: John Currin Is the Big Painter of the Moment; His Retrospective Makes You Ask, Does Size Matter?", Time, 13 December 2003, p. 80.
R. Rubinstein, "A Painter in Midcurrent," Art in America, vol. 92, no. 6, June-July 2004, p. 161 (illustrated).
K. V. Weg and R. Dergan, eds., John Currin, New York, 2006, pp. 35 and 194-195 (illustrated).
A. Rosen, 25 Years of Andrea Rosen Gallery, New York, 2014, vol. 26, p. 76 (installation view illustrated).
Exhibited
New York, Andrea Rosen Gallery, John Currin, October-November 1997.
London, The Saatchi Gallery, Young Americas 2: New American Art at the Saatchi Gallery, September-November 1998, n.p. (illustrated).
Paris, Centre Pompidou; Kunsthalle Wien; Schirn Kunsthalle Frankfurt, Cher peintre - Peintures figuratives depuis l'ultime Picabia, June 2002-April 2003, p. 198.
Chicago, Museum of Contemporary Art; London, Serpentine Gallery; New York, Whitney Museum of American Art, John Currin, May 2003-February 2004, pp. 51, 67 and 166 (illustrated).
Greenwich, Connecticut, The Brant Foundation Art Study Center, Remembering Henry’s Show: Selected Works 1978-2008, May 2009-January 2010, pp. 138-139 (installation view illustrated).
London, The Saatchi Gallery, Young Americas 2: New American Art at the Saatchi Gallery, September-November 1998, n.p. (illustrated).
Paris, Centre Pompidou; Kunsthalle Wien; Schirn Kunsthalle Frankfurt, Cher peintre - Peintures figuratives depuis l'ultime Picabia, June 2002-April 2003, p. 198.
Chicago, Museum of Contemporary Art; London, Serpentine Gallery; New York, Whitney Museum of American Art, John Currin, May 2003-February 2004, pp. 51, 67 and 166 (illustrated).
Greenwich, Connecticut, The Brant Foundation Art Study Center, Remembering Henry’s Show: Selected Works 1978-2008, May 2009-January 2010, pp. 138-139 (installation view illustrated).
Brought to you by
Isabella Lauria
Senior Vice President, Senior Specialist, Head of 21st Century Evening Sale