拍品專文
Like lot 38, the present work was painted during the spring and summer of 1892, when Strindberg was staying in Dalarö. He was entirely focused on capturing the landscape, and his paintings are largely sky and water, with the occasional buoy or lighthouse thrown in as his inspiration dictated. During this time, the artist painted the sea on calm days as well as in full storm, reflecting both sides of his own turbulent personality during this difficult time.