拍品 160
160
TOMMASO DI CREDI, CALLED TOMMASO (ACTIVE FLORENCE LATE 15TH-EARLY 16TH CENTURY)
TOMMASO DI CREDI, CALLED TOMMASO (ACTIVE FLORENCE LATE 15TH-EARLY 16TH CENTURY)
TOMMASO DI CREDI, CALLED TOMMASO (ACTIVE FLORENCE LATE 15TH-EARLY 16TH CENTURY)
2 更多
Property from a Distinguished Private Collection
TOMMASO DI CREDI, CALLED TOMMASO (ACTIVE FLORENCE LATE 15TH-EARLY 16TH CENTURY)

The Lamentation

細節
TOMMASO DI CREDI, CALLED TOMMASO (ACTIVE FLORENCE LATE 15TH-EARLY 16TH CENTURY)
The Lamentation
oil on panel
29 ¼ x 41 3⁄8 in. (74.3 x 105.1 cm.)
來源
with Salvadori, Florence, where acquired in Spring 1920 by the following,
H.W. Jürgens, Nijmegen.
with Dover Street Gallery, London, by 2001.
Anonymous sale; Sotheby's, London, 4 December 2008, lot 158, where acquired by the present owner.
出版
B. Berenson, Italian Pictures of the Renaissance: a list of the principal artists and their works with an index of places, Oxford, 1932, p. 578.
B. Berenson, Italian Pictures of the Renaissance. Florentine School, Oxford, 1963, I, p. 208, pl. 1182.
G. Dalli Regoli, Lorenzo di Credi, Pisa, 1966, p. 191, no. 235, as 'Maestro della Conversazione di S. Spirito'.
G. Dalli Regoli, 'Precisazioni su Lorenzo di Credi', Critica d’arte, XXXVI, 1971, pp. 72-73, note 19.
G. Dalli Regoli, 'Lorenzo di Credi e il suo 'doppio' (Giovanni di Benedetto Cianfanini?)', Paragone, 2007, p. 36
C. Daly, 'List of paintings attributed to ‘Tommaso’', Tommaso. Lorenzo di Credi’s ‘Doppelgänger, D. Civettini, ed., London, 2024, p. 59.
拍場告示
We are grateful to Dr. Christopher Daly for identifying additional literature for this lot:
G. Dalli Regoli, 'Precisazioni su Lorenzo di Credi', Critica d’arte, XXXVI, 1971, pp. 72-73, note 19.
G. Dalli Regoli, 'Lorenzo di Credi e il suo 'doppio' (Giovanni di Benedetto Cianfanini?)', Paragone, 2007, p. 36
C. Daly, 'List of paintings attributed to ‘Tommaso’', Tommaso. Lorenzo di Credi’s ‘Doppelgänger, D. Civettini, ed., London, 2024, p. 59.

榮譽呈獻

Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II
+1 212 636 2295

拍品專文

Sometimes identified as the 'Master of the Santo Spirito Sacra Conversazione' after an altarpiece in the church of Santo Spirito in Florence, depicting the Madonna and Child enthroned, Tommaso was an accomplished follower of Lorenzo di Credi, working either in his close circle or in his workshop itself, where he may have trained. Lorenzo’s influence is visible throughout the composition, from the expansive landscape to the figures' expressions and facial types. These are particularly comparable to those in a tondo from the Louvre collection (inv. M.I. 600), on long-term loan to the Musée du Petit Palais, Avignon, which had historically been attributed to Lorenzo di Credi before Everett Fahy associated it with Tommaso. Everett Fahy confirmed the attribution of the present work to Tommaso on the basis of first-hand inspection at the time of its previous appearance at auction in 2008.

更多來自 古典大師及十九世紀繪畫

查看全部
查看全部