QI BAISHI (1863-1957)
QI BAISHI (1863-1957)
QI BAISHI (1863-1957)
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QI BAISHI (1863-1957)
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Property from the Collection of Antony Tao (1919–2019)
QI BAISHI (1863-1957)

Crevettes

Details
QI BAISHI (1863-1957)
Crevettes
Encadré sous verre, encre sur papier.
Signé avec un cachet de l'artiste.
Inscrit, daté de l'année wuzi, 1948.
Dimensions : 69,7 x 34,3 cm. (27 ½ x 13 ½ in.)
Provenance
Personal collection of Mr Antony Tao, acquired directly from the artist in 1948 ; thence by descent to the family.
Antony Tao (1919–2019), born in Antony, France to a Chinese father and French mother, maintained a lifelong connection with China. His father, Colonel Samuel Tao, served in the Chinese military mission in France during World War I and corresponded with Antony until 1937, the year of his final letter from Nanjing.
As a mathematics professor and high school principal for 27 years, Antony Tao worked around the world, including in China. In 1946, he accepted a post in Shanghai offered by the French Ministry for Europe and Foreign Affairs, marking the start of his deep engagement with Chinese culture. He arrived that year aboard the ship Le Sontay and remained in China until 1951.
In his biography, Antony Tao recounted a memorable visit to the celebrated painter Qi Baishi in Beijing in 1947, where he purchased a painting created before his eyes. Struck by the artist’s skill and spontaneity, he cherished the work, which Qi personally dedicated to him, a moment that symbolized his enduring connection to China.
Tao’s passion for Chinese culture extended well beyond his collection of artworks from Shanghai. In retirement, he devoted himself to research and authored several books, including Shamanism and Ancient Chinese Civilization (2003), God and the Tao (2007), and China Facing Modernity (2015).
His legacy as a collector and scholar continues to resonate with those drawn to the depth and richness of Chinese art and tradition.
Further details
QI BAISHI (1863-1957)
Shrimps
Framed and glazed, ink on paper
Signed with a seal of the artist
Inscribed and dated to the Wuzi year, 1948

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Lot Essay

Painted when Qi Baishi was 88 years old, the present work depicts four animated shrimps, each rendered with striking sensitivity and individual character. Qi masterfully manipulates ink tones to suggest the play of light on their translucent bodies and the fluidity of their underwater motion. With bold vertical strokes in rich ink for the eyes, horizontal touches for the heads, and dabs of darker ink added before the lighter tones dry, he achieves a soft diffusion that imbues the composition with vitality and depth. The shrimp bodies are formed with loose, washed ink strokes, imparting a crystalline, almost diaphanous quality. Composed in an elegant S-shaped configuration, the group of shrimps appear to dart and frolic in unison, their legs delicately varied in length and articulation, while fine, flexible lines evoke the spring-like tension of their whiskers. Through a dynamic synthesis of brushwork and ink play, Qi conjures a vivid scene of aquatic life, infused with spirited energy and poetic rhythm.

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