NORBERT GOENEUTTE (PARIS 1854 - 1894 AUVERS-SUR-OISE)
NORBERT GOENEUTTE (PARIS 1854 - 1894 AUVERS-SUR-OISE)
NORBERT GOENEUTTE (PARIS 1854 - 1894 AUVERS-SUR-OISE)
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NORBERT GOENEUTTE (PARIS 1854 - 1894 AUVERS-SUR-OISE)

Victorine Meurant by her bath

Details
NORBERT GOENEUTTE (PARIS 1854 - 1894 AUVERS-SUR-OISE)
Victorine Meurant by her bath
signed, inscribed and dated 'Norbert Goeneutte Paris 1888' (lower right)
pastel on paper
21 1⁄8 x 14 3⁄8 in. (55.2 x 38 cm.)
Provenance
The artist's family, by descent,
Their sale; Sotheby's, London, 19 June 1991, lot 194, where acquired by the present owner.
Literature
G. de Knyff, 'L'art libre au XIXe siècle ou la vie de Norbert Goeneutte', Paris, 1978, mentioned under 'Oeuvres de Norbert Goeneutte ayant figuré à l'Exposition Rétrospective de 1895', p. 173, no. 36.
Exhibited
Paris, Ecole des Beaux-Arts, Rétrospective de Norbert Goeneutte, April 1895, no. 162.
Pontoise, Musée Pissarro, Exposition Goeneutte, May-September 1982, no. 14.

Brought to you by

Alastair Plumb
Alastair Plumb Senior Specialist, Head of Sale, European Art

Lot Essay

Victorine Meurant was best known as a model for artists including Edouard Manet, Edgar Degas and Thomas Couture during the 1860's. She was Manet's first and favourite model and was the model for the central nude figures in his controversial paintings Olympia and Le déjeuner sur l'herbe (Musée d'Orsay, Paris). Goeneutte painted her often; she is represented in 'La femme au Singe', now lost, utterly drunk, a bottle in her hand. The Musée Carnavalet, Paris, has an engraving of the present work (13.9 x 9.8 cm, inv. G14299). A student of Isidore Pils at the Ecole des Beaux-Arts (1871-1875), Goeneutte made his debut at the Salon of 1876. Although he was associated with Manet, Degas and Renoir, and his work was influenced by them, for instance in the informality of his compositions, he never exhibited with the Impressionist group. He was a founderof the 'Expositions des Peintres-Graveurs'.

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