CHARLES EDWARD PERUGINI (NAPLES 1839-1918 LONDON)
CHARLES EDWARD PERUGINI (NAPLES 1839-1918 LONDON)
CHARLES EDWARD PERUGINI (NAPLES 1839-1918 LONDON)
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CHARLES EDWARD PERUGINI (NAPLES 1839-1918 LONDON)

Choosing a nosegay

Details
CHARLES EDWARD PERUGINI (NAPLES 1839-1918 LONDON)
Choosing a nosegay
signed with monogram (lower left) and further signed, inscribed and numbered 'No 3/"Choosing a nosegay"/C.E. Perugini/141 Warwick Street/S.W.' (on the artist's label attached to the reverse)
oil on canvas
36 ¼ x 24 3⁄8 in. (92.1 x 61.9 cm.)
Provenance
Anonymous sale, Sotheby's Chester, 19 March 1981, lot 305.
with Pyms' Gallery, London.
Exhibited
London, Royal Academy, 1876, no. 558.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay

The Italian born Perugini met Lord Leighton in Rome in 1854, and followed him to Paris the year after. He moved to London in 1863. Between 1870 and 1874 he received financial payments from Leighton sufficient to suggest he was acting as his studio assistant. His most Leighton-esque work, Girl Reading, from 1878, is in Manchester City Art Gallery. However, much of his oeuvre depicted his English compatriots at ease, such as in A Summer Shower, 1888, Ferens Art Gallery, Hull, where `three graces’ shelter under a tree during a game of badminton.

It is possible that the model in this picture is Kate Dickens, daughter of the author, and widow of the Pre-Raphaelite artist, Charles Alston Collins. She and Perugini married in secret in 1873, the year of Collins’s death, and then more formally the following year. This picture was exhibited 3 years later. Kate was herself an artist, showing at the RA from 1877 onwards, and also sat to other artists in their circle, notably Millais, for whom she posed in The Black Brunswicker, 1860, Lady Lever Art Gallery, National Museums, Liverpool.

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