SIR JOHN ALFRED ARNESBY BROWN, R.A. (NOTTINGHAM 1866-1955 HADDISCOE, NORFOLK)
SIR JOHN ALFRED ARNESBY BROWN, R.A. (NOTTINGHAM 1866-1955 HADDISCOE, NORFOLK)
SIR JOHN ALFRED ARNESBY BROWN, R.A. (NOTTINGHAM 1866-1955 HADDISCOE, NORFOLK)
2 More
SIR JOHN ALFRED ARNESBY BROWN, R.A. (NOTTINGHAM 1866-1955 HADDISCOE, NORFOLK)

The Cross Roads

Details
SIR JOHN ALFRED ARNESBY BROWN, R.A. (NOTTINGHAM 1866-1955 HADDISCOE, NORFOLK)
The Cross Roads
signed 'Arnesby Brown' (lower left), further signed 'Arnesby Brown-' (on the stretcher) and further signed, inscribed and numbered 'Arnesby Brown/-2-/The Cross Roads/The White House/Haddiscoe Norwich' (on the artist's label attached to the reverse)
oil on canvas
25 x 30 in. (63.5 x 76.2 cm.)
Provenance
W. Baxter, by whom purchased at the Royal Academy, 1926.
Anonymous sale; Christie's, London, 22 November 2006, lot 259, where purchased by the present owner.
Exhibited
London, Royal Academy, 1926, no. 47.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Day Sale

Lot Essay

The Cross Roads depicts a junction at Haddiscoe on the Reedham to Beccles road. The composition is punctuated by St Mary's Church, which sits on an area of higher ground. The Church is seen in many of Arnesby Brown's Haddiscoe landscapes and with its distinctive Saxon round tower is a landmark for miles around.

There is a preparatory drawing for The Cross Roads in Norwich Castle Museum. This study offers a fascinating insight into the artist's technique and shows the care and precision that has been taken in mapping out what appear to be spontaneous flourishes in the finished painting.

The picture is sold with a collection of autographed letters from the artist to Mr W. Baxter, the picture's first owner who lived in New Zealand. The letters relate to Mr Baxter's purchase of the picture prior to the Royal Academy exhibition in 1926 and includes a receipt for £250. Arnesby Brown writes encouragingly about the praise that The Cross Roads has received and includes a review (not included) from The Times. He goes on to say that 'I do not think I have received so many congratulations on my work as I have this year'.

More from Old Masters to Modern Day Sale: Paintings, Drawings, Sculpture

View All
View All