SIR JOSEPH NOEL PATON, R.S.A. (DUNFERMLINE 1821-1909 EDINBURGH)
SIR JOSEPH NOEL PATON, R.S.A. (DUNFERMLINE 1821-1909 EDINBURGH)
SIR JOSEPH NOEL PATON, R.S.A. (DUNFERMLINE 1821-1909 EDINBURGH)
SIR JOSEPH NOEL PATON, R.S.A. (DUNFERMLINE 1821-1909 EDINBURGH)
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PROPERTY OF A LADY
SIR JOSEPH NOEL PATON, R.S.A. (DUNFERMLINE 1821-1909 EDINBURGH)

The Lady of Shalott

Details
SIR JOSEPH NOEL PATON, R.S.A. (DUNFERMLINE 1821-1909 EDINBURGH)
The Lady of Shalott
signed with monogram (lower right)
oil on canvas
10 ¾ in. (24.4 cm.) diameter, circular
Provenance
with The Fine Art Society, London, 1977.
Joe Setton (1916-1984) (†); Christie's, London, 10 December 2020, lot 10.
Exhibited
London, The Fine Art Society, Victorian Painting, December 1977, no. 64.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay

Noel Paton was a Scottish painter born in Dumfermline, who began his career as a textile designer before moving to London to study painting at the Royal Academy schools in 1843. It was here that he met John Everett Millais, and whilst his return to Scotland precluded him from joining the Pre-Raphaelite Brotherhood, the group of friends proved to have an enduring influence on his work. Paton was, however, most famous for his paintings of fairy subjects, which enjoyed great commercial success. Queen Victoria herself was among his patrons and admirers. She appointed him her Painter and Limner for Scotland in 1866 and knighted him the following year.

Here Paton demonstrates his alliance with the Pre-Raphaelites by depicting the eponymous heroine of Tennyson’s famed 1832 poem, famously later portrayed by John William Waterhouse in 1888 (Tate, London). Paton paints the Lady of Shalott immured in her tower, leaning forward as she gazes intently out. The ambiguity of the scene leaves it unclear as to whether she is looking into her glass, to which she was doomed to see the world reflected, or if this is the fatal moment in which she finally reaches out of the window, sealing her fate.

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