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Molotov Cocktail
细节
LOUISE BOURGEOIS (1911-2010)
Molotov Cocktail
stamped with the artist's initials, number, date and foundry mark 'L.B. 3⁄6 07' (side edge)
bronze
4 ½ x 8 ½ x 6 in. (11.4 x 21.6 x 15.2 cm.)
Conceived in 1968 and cast in 2007. This work is number three from an edition of six plus one artist's proof.
Molotov Cocktail
stamped with the artist's initials, number, date and foundry mark 'L.B. 3⁄6 07' (side edge)
bronze
4 ½ x 8 ½ x 6 in. (11.4 x 21.6 x 15.2 cm.)
Conceived in 1968 and cast in 2007. This work is number three from an edition of six plus one artist's proof.
来源
Cheim & Read, New York
Acquired from the above by the present owner, 2008
Acquired from the above by the present owner, 2008
出版
W. Rubin, "Some Reflections Prompted by the Recent Works of Louise Bourgeois," Art International, vol. 8, April 1969, p. 18 (earlier cast illustrated).
L. Lippard, From the Center: Feminist Essays on Women's Art, New York, 1975, p. 241.
L. Lippard, "Louise Bourgeois: From the Inside Out," Artforum, vol. 13, no. 7, March 1985, p. 29.
J. Helfenstein, "The Power of Intimacy," Parkett, vol. 27, March 1991, pp. 28, 29, 33 and 35 (earlier cast illustrated).
C. Meyer-Thoss, Louise Bourgeois: Designing for Free Fall, Zürich, 1992, p. 175 (earlier cast illustrated in progress).
M.L. Bernadac, Louise Bourgeois, Paris, 1996 (1995, pp. 86, 90, 177; 2006, p. 113; earlier cast illustrated in progress).
A. Jahn, Louise Bourgeois: Subversion Des Körpers, Berlin, 1999, pp. 220-221 (earlier cast illustrated in progress).
D. Craven, Abstract Expressionism as Cultural Critique: Dissent During the McCarthy Period, Cambridge, 1999, p. 93.
D. Green and P. Seddon, eds., History Painting Reassessed: The Representation of History in Contemporary Art, Manchester and New York, 2000, p. 126.
D. von Drathen, Vortex of Silence: Proposition for an Art Criticism Beyond Aesthetic Categories, Milan, 2004, pp. 75-76 (earlier cast illustrated in progress).
A. Chave, "L'Art de Louise Bourgeois: 'Fillette' et les Evénements de 1968," Ligeia: Dossiers Sur l'Art, nos. 57-60, January-June 2005, p. 120, fig. 4 (earlier cast illustrated).
S. Rich, "Louise Bourgeois: Solomon R. Guggenheim Museum New York," Artforum, vol. 47, no. 3, November 2008, p. 343.
R. Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, New York, 2016, p. 10 (earlier cast illustrated).
L. Lippard, From the Center: Feminist Essays on Women's Art, New York, 1975, p. 241.
L. Lippard, "Louise Bourgeois: From the Inside Out," Artforum, vol. 13, no. 7, March 1985, p. 29.
J. Helfenstein, "The Power of Intimacy," Parkett, vol. 27, March 1991, pp. 28, 29, 33 and 35 (earlier cast illustrated).
C. Meyer-Thoss, Louise Bourgeois: Designing for Free Fall, Zürich, 1992, p. 175 (earlier cast illustrated in progress).
M.L. Bernadac, Louise Bourgeois, Paris, 1996 (1995, pp. 86, 90, 177; 2006, p. 113; earlier cast illustrated in progress).
A. Jahn, Louise Bourgeois: Subversion Des Körpers, Berlin, 1999, pp. 220-221 (earlier cast illustrated in progress).
D. Craven, Abstract Expressionism as Cultural Critique: Dissent During the McCarthy Period, Cambridge, 1999, p. 93.
D. Green and P. Seddon, eds., History Painting Reassessed: The Representation of History in Contemporary Art, Manchester and New York, 2000, p. 126.
D. von Drathen, Vortex of Silence: Proposition for an Art Criticism Beyond Aesthetic Categories, Milan, 2004, pp. 75-76 (earlier cast illustrated in progress).
A. Chave, "L'Art de Louise Bourgeois: 'Fillette' et les Evénements de 1968," Ligeia: Dossiers Sur l'Art, nos. 57-60, January-June 2005, p. 120, fig. 4 (earlier cast illustrated).
S. Rich, "Louise Bourgeois: Solomon R. Guggenheim Museum New York," Artforum, vol. 47, no. 3, November 2008, p. 343.
R. Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, New York, 2016, p. 10 (earlier cast illustrated).
展览
New York, 112 Greene Street, Louise Bourgeois: Sculpture 1970-1974, December 1974 (earlier cast exhibited).
Waltham, Rose Art Museum, Brandeis University, From Women's Eyes, May-June 1977, p. 15 (earlier cast exhibited).
New York, Museum of Modern Art; Houston, Contemporary Arts Museum; Museum of Contemporary Art Chicago and Akron Art Museum, Louise Bourgeois: Retrospective, November 1982-January 1984, pp. 26, 77 and 108, no. 100 (earlier cast exhibited and illustrated).
Paris and Zürich, Galerie Maeght Lelong, Louise Bourgeois: Retrospektive 1947-1984, February-May 1985, no. 32 (earlier cast exhibited).
Frankfurt, Frankfurter Kunstverein; Munich, Städtische Galerie im Lenbachhaus; Lyon, Musée d'art Contemporain; Barcelona, Fundación Tàpies; Kunstmuseum Bern and Otterlo, Kröller-Müller Museum, Louise Bourgeois: A Retrospective Exhibition, December 1989-June 1991, no. 62 (Frankfurt, p. 120; Lyon, p. 122; earlier cast exhibited and illustrated).
Vienna, Galerie Krinzinger Wien, Louise Bourgeois 1939-89 Skulpturen und Zeichnungen, May-June 1990 (earlier cast exhibited).
Oxford, Museum of Modern Art, Louise Bourgeois, October-December 1995 (earlier cast exhibited).
Berlin, Akademie der Künste, Louise Bourgeois in Berlin: Works 1943-2003, June-July 2003, p. 16 (earlier cast exhibited and illustrated).
London, Tate Modern; Paris, Centre Georges Pompidou; New York, Solomon R. Guggenheim Museum; Los Angeles, Museum of Contemporary Art and Washington D.C., Hirshhorn Museum & Sculpture Garden, Louise Bourgeois: Retrospective, October 2007-June 2008 (earlier cast exhibited).
Kunsthalle Bielefeld, 1968. The Great Innocents, March-August 2008, p. 405 (another example exhibited and illustrated).
Kunstmuseum Basel, The Violence of Handwriting Across the Page, February-May 2022, no. 38 (earlier cast exhibited).
Waltham, Rose Art Museum, Brandeis University, From Women's Eyes, May-June 1977, p. 15 (earlier cast exhibited).
New York, Museum of Modern Art; Houston, Contemporary Arts Museum; Museum of Contemporary Art Chicago and Akron Art Museum, Louise Bourgeois: Retrospective, November 1982-January 1984, pp. 26, 77 and 108, no. 100 (earlier cast exhibited and illustrated).
Paris and Zürich, Galerie Maeght Lelong, Louise Bourgeois: Retrospektive 1947-1984, February-May 1985, no. 32 (earlier cast exhibited).
Frankfurt, Frankfurter Kunstverein; Munich, Städtische Galerie im Lenbachhaus; Lyon, Musée d'art Contemporain; Barcelona, Fundación Tàpies; Kunstmuseum Bern and Otterlo, Kröller-Müller Museum, Louise Bourgeois: A Retrospective Exhibition, December 1989-June 1991, no. 62 (Frankfurt, p. 120; Lyon, p. 122; earlier cast exhibited and illustrated).
Vienna, Galerie Krinzinger Wien, Louise Bourgeois 1939-89 Skulpturen und Zeichnungen, May-June 1990 (earlier cast exhibited).
Oxford, Museum of Modern Art, Louise Bourgeois, October-December 1995 (earlier cast exhibited).
Berlin, Akademie der Künste, Louise Bourgeois in Berlin: Works 1943-2003, June-July 2003, p. 16 (earlier cast exhibited and illustrated).
London, Tate Modern; Paris, Centre Georges Pompidou; New York, Solomon R. Guggenheim Museum; Los Angeles, Museum of Contemporary Art and Washington D.C., Hirshhorn Museum & Sculpture Garden, Louise Bourgeois: Retrospective, October 2007-June 2008 (earlier cast exhibited).
Kunsthalle Bielefeld, 1968. The Great Innocents, March-August 2008, p. 405 (another example exhibited and illustrated).
Kunstmuseum Basel, The Violence of Handwriting Across the Page, February-May 2022, no. 38 (earlier cast exhibited).
荣誉呈献
Rachel Ng
Associate Specialist, Acting Head of Sale, Post-War to Present