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THE PROPERTY OF A PRIVATE EUROPEAN COLLECTOR
MAXIMILIEN LUCE (1858-1941)
Le Quai Montebello et la Colline Sainte-Geneviève
Details
MAXIMILIEN LUCE (1858-1941)
Le Quai Montebello et la Colline Sainte-Geneviève
signed and dated 'Luce 1901' (lower left)
oil on canvas
25 7⁄8 x 32 in. (65.6 x 81.3 cm.)
Painted in 1901
Le Quai Montebello et la Colline Sainte-Geneviève
signed and dated 'Luce 1901' (lower left)
oil on canvas
25 7⁄8 x 32 in. (65.6 x 81.3 cm.)
Painted in 1901
Provenance
Ambroise Vollard, Paris.
Arnauld Doria, Paris.
Anonymous sale, Parke-Bernet Galleries, New York, 19 May 1954, lot 88.
Arthur G. Altschul, New York, by 1965, until at least 1986.
Galerie Hopkins-Custot, Paris, by 2005.
Acquired on 8 June 2005, and thence by descent to the present owner.
Arnauld Doria, Paris.
Anonymous sale, Parke-Bernet Galleries, New York, 19 May 1954, lot 88.
Arthur G. Altschul, New York, by 1965, until at least 1986.
Galerie Hopkins-Custot, Paris, by 2005.
Acquired on 8 June 2005, and thence by descent to the present owner.
Literature
P. Cazeau, Maximilien Luce, Paris, 1982, p. 121 (illustrated).
D. Bazetoux, Maximilien Luce, Catalogue de l’œuvre peint, vol. II, Paris, 1986, no. 308, p. 83 (illustrated).
D. Kelder, L'héritage de l'Impressionnisme, Paris, 1986, p. 96 (illustrated fig. 88).
D. Bazetoux, Maximilien Luce, Catalogue de l’œuvre peint, vol. II, Paris, 1986, no. 308, p. 83 (illustrated).
D. Kelder, L'héritage de l'Impressionnisme, Paris, 1986, p. 96 (illustrated fig. 88).
Exhibited
New Haven, Yale University Art Gallery, Neo-Impressionists and Nabis in the Collection of Arthur G. Altschul, January - March 1965, no. 7, pp. 43 & 48 (illustrated n.p.).
Saint Petersburg, Florida, Museum of Fine Arts, Paris in the Belle Époque, People and Places, March - April 1980, no. 50, p. 32 (illustrated).
Zug, Kunsthaus, Das Sehen sehen, Neoimpressionismus und Moderne, Signac bis Eliasson, February - June 2008, p. 219 (illustrated p. 98).
L'Annonciade, Musée de Saint-Tropez, Maximilien Luce, Les travaux et les jours, July - October 2008, pp. 40 & 104 (illustrated p. 41).
Giverny, Musée des impressionnismes, Maximilien Luce, Néo-Impressionist, Retrospective, July - October 2010, no. 25, p. 132 (illustrated p. 71).
Saint Petersburg, Florida, Museum of Fine Arts, Paris in the Belle Époque, People and Places, March - April 1980, no. 50, p. 32 (illustrated).
Zug, Kunsthaus, Das Sehen sehen, Neoimpressionismus und Moderne, Signac bis Eliasson, February - June 2008, p. 219 (illustrated p. 98).
L'Annonciade, Musée de Saint-Tropez, Maximilien Luce, Les travaux et les jours, July - October 2008, pp. 40 & 104 (illustrated p. 41).
Giverny, Musée des impressionnismes, Maximilien Luce, Néo-Impressionist, Retrospective, July - October 2010, no. 25, p. 132 (illustrated p. 71).
Brought to you by
Veronica Scarpati
Head of Works on Paper Sale