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QUR'AN

SIGNED HUSAYN AL-FAKHKHAR AL-SHIRAZI, SAFAVID SHIRAZ, IRAN, DATED RAJAB AH 965/APRIL-MAY 1558 AD

Details
QUR'AN
SIGNED HUSAYN AL-FAKHKHAR AL-SHIRAZI, SAFAVID SHIRAZ, IRAN, DATED RAJAB AH 965/APRIL-MAY 1558 AD
Arabic manuscript on paper, 258ff. each with 14ll. black naskh, red tajwid notation, gold rosette verse markers, set within gold and polychrome rules, the margins plain with illuminated medallions and thuluth notes to mark divisions, sura headings in white or gold thuluth set within gold or polychrome cartouches on blue illuminated panels, opening bifolio with 3ll. gold muhaqqaq in blue cartouches with extremely fine cobalt and gold illuminated and pricked margins and calligraphic panels above and below, framed with illuminated lappets, the following bifolio with illuminated headpiece and the text reserved against gold illuminated cloudbands, closing with dua's and a colophon signed and dated reserved against gold cloudbands, in Safavid gilt stamped black leather binding with flap, the gilt doublures with blue decoupé medallion and spandrels
Text panel 7 ¾ x 4 ¼in. (19.7 x 10.7cm.); folio 11 7⁄8 x 7 3⁄8 in. (30.1 x 18.6cm.)
Provenance
Private collection, Paris, 1960s and thence by descent
From which acquired by the current owner

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Phoebe Jowett Smith Sale Coordinator & Cataloguer

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Lot Essay

The unusual and intricate frontispiece features the text of al-fatiha written in chrysography on six illuminated blue cartouches. This unusually sparse use of the written word leaves more space for illumination, and means that the following bifolio begins with the basmala of sura al-baqara. Repeated cartouches, uninscribed but similar in form to ours, appear in the panels above and below the text on a manuscript of Sa'di's Kulliyat which sold in these Rooms, 31 March 2022, lot 1, and was dated to AH 901⁄1496 AD. The same use of cartouches can be seen in the frontispiece of a Qur'an in the Aga Khan Museum, Toronto (acc.no.AKM316), of very similar dimensions to the present lot.

The panels above and below feature a gold field - heightened by using a combination of different gold pigments - decorated with delicately-drawn blue cloudbands. This is much more reminiscent of a Qur'an in the Khalili Collection, which Anthony Welch suggested may have been made for Shah Tahmasp, and seems to have later belonged to Shah Jahan (David James, After Timur, Oxford, 1992, no.43, p.172). A further similarity is the interlaced gold border, also lightly pricked to bring out the gold. The sura titles in polychrome cartouches later in the manuscript are an additional feature which indicate that this is a manuscript of exceptional quality.

Unusually for most Safavid Qur'ans from Shiraz, this manuscript is signed. The scribe, Husayn al-Fakhkhar al-Shirazi, is recorded by Qadi Ahmad as being related to the Atabaks of Fars (Calligraphers and Painters, A Treatise by Qadi Ahmad son of Mir-Munshi, translated by V. Minorsky, Washington 1959, p. 76 and Qazi Mir Ahmad Munshi Qomi, Golestan-e Honar, ed. by A. Soheyli-Khwansari, Tehran, 1352, p. 34). Other manuscripts by him include a copy of the Bahjat al-Manahij in the Gulistan Library, Tehran; a copy of the sayings of Imam Ali; two calligraphic folios in the Topkapi library; and a Qur'an in the Khalili Collection (James, op.cit., no.45, p.184). Additional manuscripts signed by him include a Qur'an offered Sotheby's London, 20 November 1986, lot 318, and a further copy of the sayings of Imam Ali, sold in these Rooms, 7 October 2008, lot 303. Of those, the Gulistan manuscript is dated 1545 and one of the books of the sayings of Imam Ali are dated to 1562-3, situating this manuscript within the period when he is known to have been active.

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