A PSKENT SUZANI
A PSKENT SUZANI
A PSKENT SUZANI
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PROPERTY FROM THE COLLECTION OF IRA AND SYLVIA SERET
A PSKENT SUZANI

UZBEKISTAN, SECOND HALF 19TH CENTURY

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A PSKENT SUZANI
UZBEKISTAN, SECOND HALF 19TH CENTURY
Embroidered on six panels, the cotton plainweave backing entirely embroidered in silk, a central broad raspberry-red roundel flowerhead enclosed in a square with four red spandrels, enclosed in a field of tightly-packed roundels encircled by dark green serrated leaves with smaller floral motifs to the interstices, in a border of similar red roundels thread on a meandering vine, between red minor stripes embroidered with a black and gold vine, edged
8ft.6in. x 6ft.9in. (258 x 206cm.)

榮譽呈獻

Louise Broadhurst
Louise Broadhurst Director, International Head of Department

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拍品專文

In contrast to the delicately-embroidered intricacy of suzanis from the Emirate of Bukhara, those produced in Kokand favour bold blocks of colour. Large red roundel flowerheads appear on Tashkent suzanis, and also those woven in nearby Pskent. What makes Pskent embroidery distincitve is that often, as here, the work leaves no part of the ground visible on the face, and is executed using a somewhat heavier stitch than those from Tashkent (Daniel Shaffer, "A silken dowry", HALI 57, P.176).

The overall composition of this embroidery is comparable to an example which sold Rippon Boswell, Wiesbaden, 25 May 2013, lot 88, including similar minor stripes and a square frame around the central medallion. This example, however, includes a broader colour palette with extensive use of blues and oranges throughout.

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