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PROPERTY FROM A PRIVATE SWISS COLLECTION
NICOLE EISENMAN (B. 1965)
Hamlet
Details
NICOLE EISENMAN (B. 1965)
Hamlet
signed, titled and dated 'Nicole Eisenman HAMLET 2007' (on the overlap)
oil on canvas
82 x 65in. (208.3 x 165.1cm.)
Painted in 2007
Hamlet
signed, titled and dated 'Nicole Eisenman HAMLET 2007' (on the overlap)
oil on canvas
82 x 65in. (208.3 x 165.1cm.)
Painted in 2007
Provenance
Vielmetter, Los Angeles.
Acquired from the above by the present owner in 2007.
Acquired from the above by the present owner in 2007.
Literature
H.-D. Fronz, ‘Nicole Eisenman: How to cook a Wolf’, in Kunstforum International, no. 186, June-July 2007, p. 387 (illustrated in colour, p. 386).
Nicole Eisenman: The Way We Weren't, exh. cat., Saratoga Springs, The Frances Young Tang Teaching Museum and Art Gallery and Skidmore College, 2009, p. 26 (illustrated in colour, p. 28; installation view at Vielmetter in 2007 illustrated in colour, p. 56).
Nicole Eisenman: What Happened, exh. cat., London, Whitechapel Gallery, 2023, pp. 17 and 255 (illustrated in colour, p. 145).
Nicole Eisenman: The Way We Weren't, exh. cat., Saratoga Springs, The Frances Young Tang Teaching Museum and Art Gallery and Skidmore College, 2009, p. 26 (illustrated in colour, p. 28; installation view at Vielmetter in 2007 illustrated in colour, p. 56).
Nicole Eisenman: What Happened, exh. cat., London, Whitechapel Gallery, 2023, pp. 17 and 255 (illustrated in colour, p. 145).
Exhibited
Zurich, Kunsthalle Zürich, Nicole Eisenman, 2007, pp. 17-18, 46, 88 and 91 (illustrated in colour, p. 47). This exhibition later travelled to Paris, Frac Île-de-France/ Le Plateau.
Los Angeles, Vielmetter, Nicole Eisenman: A Show Born of Fear, 2007.
St. Louis, Contemporary Art Museum St. Louis, Dear Nemesis: Nicole Eisenman 1993-2013, 2014-2015, pp. 33 and 168 (installation view illustrated in colour, p. 14; illustrated in colour, p. 49). This exhibition later travelled to Philadelphia, Institute of Contemporary Art Philadelphia, University of Pennsylvania and San Diego, The Museum of Contemporary Art San Diego.
New York, New Museum, Nicole Eisenman: Al-ugh-ories, 2016, pp. 28, 60 and 83 (illustrated in colour, p. 61).
Bielefeld, Bielefeld Kunsthalle, Heads, Kisses, Battles, Nicole Eisenman and the Moderns, 2021-2023, p. 151 (illustrated in colour, p. 146). This exhibition later travelled to Aarau, Aargauer Kunsthaus Aarau; Arles, Fondation Vincent van Gogh Arles and The Hague, Kunstmuseum Den Haag.
Los Angeles, Vielmetter, Nicole Eisenman: A Show Born of Fear, 2007.
St. Louis, Contemporary Art Museum St. Louis, Dear Nemesis: Nicole Eisenman 1993-2013, 2014-2015, pp. 33 and 168 (installation view illustrated in colour, p. 14; illustrated in colour, p. 49). This exhibition later travelled to Philadelphia, Institute of Contemporary Art Philadelphia, University of Pennsylvania and San Diego, The Museum of Contemporary Art San Diego.
New York, New Museum, Nicole Eisenman: Al-ugh-ories, 2016, pp. 28, 60 and 83 (illustrated in colour, p. 61).
Bielefeld, Bielefeld Kunsthalle, Heads, Kisses, Battles, Nicole Eisenman and the Moderns, 2021-2023, p. 151 (illustrated in colour, p. 146). This exhibition later travelled to Aarau, Aargauer Kunsthaus Aarau; Arles, Fondation Vincent van Gogh Arles and The Hague, Kunstmuseum Den Haag.
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