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WORKS FROM THE CREX ART COLLECTION
ROBERT MANGOLD (B. 1937)
Brown Wall
Details
ROBERT MANGOLD (B. 1937)
Brown Wall
(i) signed, titled and inscribed 'R. Mangold BROWN WALL SEC. 1 LEFT' (on the reverse)
(ii) signed, titled and inscribed 'R. MANGOLD BROWN WALL SEC. 2 RIGHT' (on the reverse)
oil on plywood and metal, in two parts
each: 96 x 48in. (244 x 122cm.)
overall: 96 x 96in. (244 x 244cm.)
Executed in 1964
Brown Wall
(i) signed, titled and inscribed 'R. Mangold BROWN WALL SEC. 1 LEFT' (on the reverse)
(ii) signed, titled and inscribed 'R. MANGOLD BROWN WALL SEC. 2 RIGHT' (on the reverse)
oil on plywood and metal, in two parts
each: 96 x 48in. (244 x 122cm.)
overall: 96 x 96in. (244 x 244cm.)
Executed in 1964
Provenance
Fischbach Gallery, New York.
John Weber Gallery, New York.
Acquired from the above by the Crex Collection in 1982.
Thence to the present owner.
John Weber Gallery, New York.
Acquired from the above by the Crex Collection in 1982.
Thence to the present owner.
Literature
D. Bourdon, 'Follow the Dotted Lines', in The Village Voice, 21 October 1965, p. 11.
Robert Mangold, exh. cat., New York, The Solomon R. Guggenheim Museum, 1971 (illustrated, unpaged).
R. White, VlEW, Interview with Robert Mangold, Oakland 1978, p. 4 (illustrated).
Robert Mangold, Painting For Three Walls, exh. cat., New York, John Weber Gallery, 1980 (diagram illustrated, p. 14).
Robert Mangold, Schilderijen/Paintings 1964-1982, 1982, exh. cat., Amsterdam, Stedelijk Museum, p. 15, no. 5 (illustrated in colour, p. 21; diagram illustrated, p. 15).
C. Sauer and U. Raussmüller, Robert Mangold, Schaffhausen 1993, p. 84 (installation view illustrated in colour, p. 85).
U. Lehmann, Robert Mangold. Linie Form Farbe, Werkentwicklung von 1964 bis 1994, Nuremberg 1995, nos. 1 and 2 (illustrated in colour, p. 27; detail illustrated, p. 26).
R. Shiff, Robert Mangold, London 2000, pp. 14 and 328 (illustrated in colour, p. 15).
C. Humblet, La Nouvelle Abstraction Américaine, 1950-1970, vol. II, Milan 2003, pp. 1179 and 1223-1224 (illustrated in colour, p. 1177).
R. Churner, E. Cunnick and L. Mott (eds.), Robert Mangold, Early Works 1963-66, New York 2004, no. 27 (illustrated in colour, p. 58).
Robert Mangold, exh. cat., New York, The Solomon R. Guggenheim Museum, 1971 (illustrated, unpaged).
R. White, VlEW, Interview with Robert Mangold, Oakland 1978, p. 4 (illustrated).
Robert Mangold, Painting For Three Walls, exh. cat., New York, John Weber Gallery, 1980 (diagram illustrated, p. 14).
Robert Mangold, Schilderijen/Paintings 1964-1982, 1982, exh. cat., Amsterdam, Stedelijk Museum, p. 15, no. 5 (illustrated in colour, p. 21; diagram illustrated, p. 15).
C. Sauer and U. Raussmüller, Robert Mangold, Schaffhausen 1993, p. 84 (installation view illustrated in colour, p. 85).
U. Lehmann, Robert Mangold. Linie Form Farbe, Werkentwicklung von 1964 bis 1994, Nuremberg 1995, nos. 1 and 2 (illustrated in colour, p. 27; detail illustrated, p. 26).
R. Shiff, Robert Mangold, London 2000, pp. 14 and 328 (illustrated in colour, p. 15).
C. Humblet, La Nouvelle Abstraction Américaine, 1950-1970, vol. II, Milan 2003, pp. 1179 and 1223-1224 (illustrated in colour, p. 1177).
R. Churner, E. Cunnick and L. Mott (eds.), Robert Mangold, Early Works 1963-66, New York 2004, no. 27 (illustrated in colour, p. 58).
Exhibited
New York, Fischbach Gallery, Walls and Areas, 1965.
Boston, The Institute of Contemporary Art, The Reductive Object: A Survey of Minimalist Aesthetic in the 1960’s, 1979 (illustrated, unpaged).
Schaffhausen, Hallen für neue Kunst, Robert Mangold, 1983-1997.
Schaffhausen, Hallen für neue Kunst, Robert Mangold, Gemälde 1964-1987, 1987, no. 1 (diagram illustrated, p. 28).
Berlin, Martin-Gropius-Bau, American Art in the 20th Century, Painting and Sculpture, 1913-1993, 1993, no. 198 (illustrated in colour, p. 383). This exhibition later travelled to London, Royal Academy of Arts and the Saatchi Gallery, 1993.
Zurich, Haus Konstruktiv, Richard Long, Robert Mangold, Robert Ryman, 2004.
Boston, The Institute of Contemporary Art, The Reductive Object: A Survey of Minimalist Aesthetic in the 1960’s, 1979 (illustrated, unpaged).
Schaffhausen, Hallen für neue Kunst, Robert Mangold, 1983-1997.
Schaffhausen, Hallen für neue Kunst, Robert Mangold, Gemälde 1964-1987, 1987, no. 1 (diagram illustrated, p. 28).
Berlin, Martin-Gropius-Bau, American Art in the 20th Century, Painting and Sculpture, 1913-1993, 1993, no. 198 (illustrated in colour, p. 383). This exhibition later travelled to London, Royal Academy of Arts and the Saatchi Gallery, 1993.
Zurich, Haus Konstruktiv, Richard Long, Robert Mangold, Robert Ryman, 2004.
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Isabel Bardawil
Senior Specialist, Co-head of Day Sale