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                                    Edlis Neeson Collection
                            
                            MAURIZIO CATTELAN (B. 1960)
                            Untitled
Details
                                        
                                            MAURIZIO CATTELAN (B. 1960)
Untitled
dog skeleton and Le Monde newspaper
16 1⁄8 x 13 x 23 ½ in. (40.9 x 33 x 58.7 cm.)
Executed in 1997. This work is one of three unique variants.
 
                                        
                                    Untitled
dog skeleton and Le Monde newspaper
16 1⁄8 x 13 x 23 ½ in. (40.9 x 33 x 58.7 cm.)
Executed in 1997. This work is one of three unique variants.
Provenance
                                        
                                            Galerie Emmanuel Perrotin, Paris
Private collection, Belgium
Anon. sale; Phillips, de Pury & Luxembourg, New York, 13 November 2003, lot 4
Acquired at the above sale by the present owner
                                    Private collection, Belgium
Anon. sale; Phillips, de Pury & Luxembourg, New York, 13 November 2003, lot 4
Acquired at the above sale by the present owner
Literature
                                        
                                            N. Bourriaud, 'A Grammar of Visual Delinquency', Parkett, no. 59, 2000, p. 41 (another variant illustrated; dated 1998).
Apocalypse: Beauty and Horror in Contemporary Art, exh. cat., London, Royal Academy of Arts, 2000, pp. 89 and 91 (another variant illustrated).
F. Bonami, N. Spector and B. Vanderlinden, eds., Maurizio Cattelan, London, 2000, p. 84 (another variant illustrated; dated 1998).
Best in Show. The Dog in Art from Renaissance to Today, exh. cat., Greenwich, Bruce Museum, 2006, p. 97 (illustrated).
B. Curiger, DIE/DIE MORE/DIE BETTER/DIE AGAIN, Paris, 2008, p. 28 (another variant illustrated; dated 1998).
                                    Apocalypse: Beauty and Horror in Contemporary Art, exh. cat., London, Royal Academy of Arts, 2000, pp. 89 and 91 (another variant illustrated).
F. Bonami, N. Spector and B. Vanderlinden, eds., Maurizio Cattelan, London, 2000, p. 84 (another variant illustrated; dated 1998).
Best in Show. The Dog in Art from Renaissance to Today, exh. cat., Greenwich, Bruce Museum, 2006, p. 97 (illustrated).
B. Curiger, DIE/DIE MORE/DIE BETTER/DIE AGAIN, Paris, 2008, p. 28 (another variant illustrated; dated 1998).
Exhibited
                                        
                                            Zurich, Migros Museum, Maurizio Cattelan, Urs Fischer, Alicia Framis, Steve McQueen, aernout mik/marjoleine boonstra: ironisch/ironic, 1998 (another variant illustrated and exhibited).
Turin, Palazzo Torino Esposizioni, Nuove complicità. Acquisizioni recenti di collezioni torinesi, 2001 (another variant illustrated and exhibited).
New York, Solomon R. Guggenheim Museum, Maurizio Cattelan: All, November 2011-January 2012, pp. 214 and 248, no. 60 (another variant illustrated and exhibited).
                                    Turin, Palazzo Torino Esposizioni, Nuove complicità. Acquisizioni recenti di collezioni torinesi, 2001 (another variant illustrated and exhibited).
New York, Solomon R. Guggenheim Museum, Maurizio Cattelan: All, November 2011-January 2012, pp. 214 and 248, no. 60 (another variant illustrated and exhibited).
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