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"Untitled"
Details
FELIX GONZALEZ-TORRES (1957-1996)
"Untitled"
silver-plated brass, in two parts
overall: 16½ x 33 in. (41.9 x 83.8 cm.)
Executed in 1995. This work is the second artist's proof from an edition of twelve plus four artist's proofs and one printer's proof.
"Untitled"
silver-plated brass, in two parts
overall: 16½ x 33 in. (41.9 x 83.8 cm.)
Executed in 1995. This work is the second artist's proof from an edition of twelve plus four artist's proofs and one printer's proof.
Provenance
Patrick Painter Editions, Vancouver
Acquired from the above by the present owner
Acquired from the above by the present owner
Literature
N. Macel, 15 Artistas Cubanos, exh. cat., Mexico City, Ninart Centro de Cultura, 1991, pp. 11 and 36 (another example illustrated).
N. Spector, Felix Gonzalez-Torres, Roni Horn, exh. cat., Munich, Sammlung Goetz, 1995, pp. 12 and 20.
"Felix Gonzalez-Torres," Print Collector's Newsletter, March-April 1996, p. 29.
C. Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres," BROADsheet, Spring 1996, pp. 16-17 (another example illustrated).
J.-M. Prévost, Propositions, exh. cat., Musée Departmental d’Art Contemporain de Rochechouart, 1996, pp. 10 and 84.
J.-F. Poirier, "Felix Gonzalez-Torres," Encyclopaedia Universalis, 1997, pp. 477-478.
D. Elger, ed., Felix Gonzalez-Torres: Catalogue Raisonné, Ostfildern-Ruit, 1997, no. 118, pp. 69 and 163 (another example illustrated).
Felix Gonzalez-Torres, exh. cat., Montevideo, Museo Nacional de Artes Visuales, 2000, p. 10.
M. Barrero, Comer o no Comer, exh. cat., Centro de arte de Salamanca, 2002-2003, p. 47.
J. Ault, ed., Felix Gonzalez-Torres, Göttingen, 2006, no. 2, pp. 89, 260, 360 and 373 (another example illustrated).
F. Wagner, ed., Felix Gonzalez-Torres, exh. cat., Berlin, Hamburger Bahnhof, Museum für Gegenwart, 2006, pp. 32 and 50.
M. Escalante, Las Implicaciones de la Imagen, exh. cat., Mexico City, Museo Universitario de Ciencias y Arte, 2008, no. 25, p. 234 and 193 (another example illustrated, incorrectly titled Untitled No. 2).
N. Bray and C. Baldwin, Transformed, exh. cat., Virginia Beach, Contemporary Art Center of Virginia, 2008, pp. 9, 20 and 21 (another example illustrated).
M. Torp. Reality Check, exh. cat., Copenhagen, Statens Museum for Kunst, 2008, p. 90.
M. Bowman, "On Felix Gonzalez-Torres: Specific Objects without Specific Form," Rebus 5, Summer 2010.
J. Rondeau and A. Rorimer, Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation, exh. cat., Art Institute of Chicago, 2011, pp. 59 and 156 (another example illustrated).
D. Ades, Tate Latin American Acquisitions Committee: Celebrating 10 Years. New York, 2011, pp. 34-35 (illustrated).
S.W. Kim and G. Lim, "Special Artist: Felix Gonzalez-Torres," Art in Culture, August 2012, pp. 116-135 (another example illustrated).
N. Benezra, Des Moines Art Center Collects, Des Moines, 2014.
A. Searle, "Felix Gonzalez-Torres: holding a mirror up to love and loss," The Guardian, 27 May 2016, n.p. (another example illustrated).
M. Mclean, "Felix Gonzalez-Torres," Frieze, no. 181, September 2016, pp. 168-169 (another example illustrated).
P. Griffith, "Felix Gonzalez-Torres," The Brooklyn Rail, June 2017.
J. Chambers-Letson, After the Party: A Manifesto for Queer of Color Life, New York, 2018.
S. Douglas, G. Fuhrman, S. Roach, et. al.,The FLAG Art Foundation: 2008-2018, New York, 2019.
D. Getsy and J. Ledesma, Queer Abstraction, Des Moines, 2019, pp. 13, 32-35 (another example illustrated).
R. Hort, “Reflecting on Felix Gonzalez-Torres During COVID-19,” White Wall Magazine, April 2020.
Doubles, exh. cat., New York, Maximilian Schubert, 2020.
A. Seresin, "How I Learned to Stop Worrying & Love the Couple Form," Spike Art Magazine, Spring 2022, pp. 83-85 (another example illustrated).
N. Spector, Felix Gonzalez-Torres, Roni Horn, exh. cat., Munich, Sammlung Goetz, 1995, pp. 12 and 20.
"Felix Gonzalez-Torres," Print Collector's Newsletter, March-April 1996, p. 29.
C. Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres," BROADsheet, Spring 1996, pp. 16-17 (another example illustrated).
J.-M. Prévost, Propositions, exh. cat., Musée Departmental d’Art Contemporain de Rochechouart, 1996, pp. 10 and 84.
J.-F. Poirier, "Felix Gonzalez-Torres," Encyclopaedia Universalis, 1997, pp. 477-478.
D. Elger, ed., Felix Gonzalez-Torres: Catalogue Raisonné, Ostfildern-Ruit, 1997, no. 118, pp. 69 and 163 (another example illustrated).
Felix Gonzalez-Torres, exh. cat., Montevideo, Museo Nacional de Artes Visuales, 2000, p. 10.
M. Barrero, Comer o no Comer, exh. cat., Centro de arte de Salamanca, 2002-2003, p. 47.
J. Ault, ed., Felix Gonzalez-Torres, Göttingen, 2006, no. 2, pp. 89, 260, 360 and 373 (another example illustrated).
F. Wagner, ed., Felix Gonzalez-Torres, exh. cat., Berlin, Hamburger Bahnhof, Museum für Gegenwart, 2006, pp. 32 and 50.
M. Escalante, Las Implicaciones de la Imagen, exh. cat., Mexico City, Museo Universitario de Ciencias y Arte, 2008, no. 25, p. 234 and 193 (another example illustrated, incorrectly titled Untitled No. 2).
N. Bray and C. Baldwin, Transformed, exh. cat., Virginia Beach, Contemporary Art Center of Virginia, 2008, pp. 9, 20 and 21 (another example illustrated).
M. Torp. Reality Check, exh. cat., Copenhagen, Statens Museum for Kunst, 2008, p. 90.
M. Bowman, "On Felix Gonzalez-Torres: Specific Objects without Specific Form," Rebus 5, Summer 2010.
J. Rondeau and A. Rorimer, Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation, exh. cat., Art Institute of Chicago, 2011, pp. 59 and 156 (another example illustrated).
D. Ades, Tate Latin American Acquisitions Committee: Celebrating 10 Years. New York, 2011, pp. 34-35 (illustrated).
S.W. Kim and G. Lim, "Special Artist: Felix Gonzalez-Torres," Art in Culture, August 2012, pp. 116-135 (another example illustrated).
N. Benezra, Des Moines Art Center Collects, Des Moines, 2014.
A. Searle, "Felix Gonzalez-Torres: holding a mirror up to love and loss," The Guardian, 27 May 2016, n.p. (another example illustrated).
M. Mclean, "Felix Gonzalez-Torres," Frieze, no. 181, September 2016, pp. 168-169 (another example illustrated).
P. Griffith, "Felix Gonzalez-Torres," The Brooklyn Rail, June 2017.
J. Chambers-Letson, After the Party: A Manifesto for Queer of Color Life, New York, 2018.
S. Douglas, G. Fuhrman, S. Roach, et. al.,The FLAG Art Foundation: 2008-2018, New York, 2019.
D. Getsy and J. Ledesma, Queer Abstraction, Des Moines, 2019, pp. 13, 32-35 (another example illustrated).
R. Hort, “Reflecting on Felix Gonzalez-Torres During COVID-19,” White Wall Magazine, April 2020.
Doubles, exh. cat., New York, Maximilian Schubert, 2020.
A. Seresin, "How I Learned to Stop Worrying & Love the Couple Form," Spike Art Magazine, Spring 2022, pp. 83-85 (another example illustrated).
Exhibited
Amsterdam, Bloom Gallery, Felix Gonzalez-Torres, Douglas Gordon, Dan Graham, Michael Joo, Mike Kelley, Paul McCarthy, Juan Muñoz, Daniel Oates, February-March 1996 (another example exhibited).
Museé d'Art Moderne de la Ville de Paris, Felix Gonzalez-Torres (Girlfriend in a Coma), April-June 1996 (another example exhibited).
New York, Lehmann Maupin, Patrick Painter Editions, October-November 1997 (another example exhibited).
London, 11 Duke Street, After Life I, May-July 2000 (another example exhibited).
London, Serpentine Gallery, Felix Gonzalez-Torres, June-July 2000, pp. 12 and 25 (another example exhibited and illustrated).
Frankfurt, Museum MMK für Moderne Kunst, Paare [Couples]: Gilbert & George and Felix Gonzalez-Torres, September 2000-March 2001, pp. 46-47 (another example exhibited and illustrated).
Miami, Bass Museum of Art, globe>Miami<island, December 2001-February 2002 (another example exhibited).
New York, Art Resources Transfer, Chapter V, August 2002 (another example exhibited).
New York and Paris, Giraud Pissarro Segalot, Felix Gonzalez-Torres: Perfect Lovers, May-June 2002 (another example exhibited).
Houston, Museum of Fine Arts, Constructing a Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art, March-June 2007, p. 98 (another example exhibited and illustrated).
Berkeley Art Museum, MATRIX /REDUX, March-July 2008 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2009-November 2010 (another example exhibited).
Brussels, Wiels Contemporary Art Centre; Basel, Fondation Beyeler and Frankfurt, Museum für Moderne Kunst, Specific Objects without Specific Form, January 2010-April 2011, pp. 144 and 418, nos. 1.1, 2.1, 2.2 and 3.1 (another example exhibited and illustrated).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2010-November 2011 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2011-October 2012 (another example exhibited).
Salt Lake City, Utah Museum of Contemporary Art, Battleground States, October 2012-January 2013 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2012-October 2013 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2013-November 2014 (another example exhibited).
The Contemporary Austin and New York, FLAG Art Foundation, A Secret Affair: Selections from the Fuhrman Family Collection, May 2014-May 2015 (another example exhibited).
Miami, de la Cruz Collection, Beneath the Surface, December 2014-November 2015 (another example exhibited).
Miami, de la Cruz Collection, You've Got to Know the Rules to Break Them, December 2015-November 2016 (another example exhibited).
Miami, de la Cruz Collection, Force and Form, December 2017-November 2018 (another example exhibited).
New York, Luxembourg & Dayan, Kiss Off, February-April 2018 (another example exhibited).
Miami, de la Cruz Collection, More/Less, December 2018-November 2019 (another example exhibited).
New York, Leo Castelli Gallery, Dot, Point, Period: A Curated Installation by Joseph Kosuth, April-July 2019 (another example exhibited).
Miami, de la Cruz Collection, From Day to Day, December 2019-September 2020 (another example exhibited).
Miami, de la Cruz Collection, A Possible Horizon, September 2020-November 2021 (another example exhibited).
Museu d'Art Contemporani de Barcelona (MACBA), Felix Gonzalez-Torres: The Politics of Relation, March-September 2021 (another example exhibited).
Berkeley Art Museum, Present Tense: Five Centuries of Colonialism in Latin American and Caribbean Art, April-June 2021 (another example exhibited).
Berlin, Sammlung Hoffmann, Do the Dance, September 2021-October 2022 (another example exhibited).
Miami, de la Cruz Collection, There Is Always One Direction, November 2021-November 2022 (another example exhibited).
Berkeley Art Museum, The Artist’s Eye: Tammy Rae Carland, David Huffman, Lava Thomas, John Zurier, March-July 2022, p. 6 (another example exhibited and illustrated).
Miami, de la Cruz Collection, Together, at the Same Time, November 2022-November 2023 (another example exhibited).
Miami, de la Cruz Collection, House in Motion / New Perspectives, December 2023-March 2024 (another example exhibited).
Berlin, Sammlung Hoffmann, Collection Installation, 2024-2025 (another example exhibited)
Berkeley Art Museum, To Exalt the Ephemeral: The Im(permanent) Collection, August 2024-July 2025 (another example exhibited).
Museé d'Art Moderne de la Ville de Paris, Felix Gonzalez-Torres (Girlfriend in a Coma), April-June 1996 (another example exhibited).
New York, Lehmann Maupin, Patrick Painter Editions, October-November 1997 (another example exhibited).
London, 11 Duke Street, After Life I, May-July 2000 (another example exhibited).
London, Serpentine Gallery, Felix Gonzalez-Torres, June-July 2000, pp. 12 and 25 (another example exhibited and illustrated).
Frankfurt, Museum MMK für Moderne Kunst, Paare [Couples]: Gilbert & George and Felix Gonzalez-Torres, September 2000-March 2001, pp. 46-47 (another example exhibited and illustrated).
Miami, Bass Museum of Art, globe>Miami<island, December 2001-February 2002 (another example exhibited).
New York, Art Resources Transfer, Chapter V, August 2002 (another example exhibited).
New York and Paris, Giraud Pissarro Segalot, Felix Gonzalez-Torres: Perfect Lovers, May-June 2002 (another example exhibited).
Houston, Museum of Fine Arts, Constructing a Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art, March-June 2007, p. 98 (another example exhibited and illustrated).
Berkeley Art Museum, MATRIX /REDUX, March-July 2008 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2009-November 2010 (another example exhibited).
Brussels, Wiels Contemporary Art Centre; Basel, Fondation Beyeler and Frankfurt, Museum für Moderne Kunst, Specific Objects without Specific Form, January 2010-April 2011, pp. 144 and 418, nos. 1.1, 2.1, 2.2 and 3.1 (another example exhibited and illustrated).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2010-November 2011 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2011-October 2012 (another example exhibited).
Salt Lake City, Utah Museum of Contemporary Art, Battleground States, October 2012-January 2013 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2012-October 2013 (another example exhibited).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection, December 2013-November 2014 (another example exhibited).
The Contemporary Austin and New York, FLAG Art Foundation, A Secret Affair: Selections from the Fuhrman Family Collection, May 2014-May 2015 (another example exhibited).
Miami, de la Cruz Collection, Beneath the Surface, December 2014-November 2015 (another example exhibited).
Miami, de la Cruz Collection, You've Got to Know the Rules to Break Them, December 2015-November 2016 (another example exhibited).
Miami, de la Cruz Collection, Force and Form, December 2017-November 2018 (another example exhibited).
New York, Luxembourg & Dayan, Kiss Off, February-April 2018 (another example exhibited).
Miami, de la Cruz Collection, More/Less, December 2018-November 2019 (another example exhibited).
New York, Leo Castelli Gallery, Dot, Point, Period: A Curated Installation by Joseph Kosuth, April-July 2019 (another example exhibited).
Miami, de la Cruz Collection, From Day to Day, December 2019-September 2020 (another example exhibited).
Miami, de la Cruz Collection, A Possible Horizon, September 2020-November 2021 (another example exhibited).
Museu d'Art Contemporani de Barcelona (MACBA), Felix Gonzalez-Torres: The Politics of Relation, March-September 2021 (another example exhibited).
Berkeley Art Museum, Present Tense: Five Centuries of Colonialism in Latin American and Caribbean Art, April-June 2021 (another example exhibited).
Berlin, Sammlung Hoffmann, Do the Dance, September 2021-October 2022 (another example exhibited).
Miami, de la Cruz Collection, There Is Always One Direction, November 2021-November 2022 (another example exhibited).
Berkeley Art Museum, The Artist’s Eye: Tammy Rae Carland, David Huffman, Lava Thomas, John Zurier, March-July 2022, p. 6 (another example exhibited and illustrated).
Miami, de la Cruz Collection, Together, at the Same Time, November 2022-November 2023 (another example exhibited).
Miami, de la Cruz Collection, House in Motion / New Perspectives, December 2023-March 2024 (another example exhibited).
Berlin, Sammlung Hoffmann, Collection Installation, 2024-2025 (another example exhibited)
Berkeley Art Museum, To Exalt the Ephemeral: The Im(permanent) Collection, August 2024-July 2025 (another example exhibited).
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