GABRIELE MUNTER (1877-1962)
GABRIELE MUNTER (1877-1962)
GABRIELE MUNTER (1877-1962)
GABRIELE MUNTER (1877-1962)
3 More
PROPERTY FROM A PRIVATE AMERICAN COLLECTOR
GABRIELE MUNTER (1877-1962)

Ritter, Glocken, Lichnis, Rosen

Details
GABRIELE MUNTER (1877-1962)
Ritter, Glocken, Lichnis, Rosen
signed with monogram (lower left) and numbered 'B.B. 24⁄58' (lower right)
oil on board
25 5⁄8 x 16 3⁄8 in. (62 x 38.5 cm.)
Painted in 1958
Provenance
Galerie Wolfgang Ketterer, Stuttgart (by 1964).
Shore collection (1967); sale, Parke-Bernet Galleries, 19 October 1969.
M. Schweiden, New York (acquired at the above sale).
Allan Rich Galleries, New York (on consignment from the above).
Acquired from the above by the late owner, April 1974.
Further details
This painting will be included in the forthcoming Münter catalogue raisonné being prepared by the Gabriele Münter- und Johannes Eichner-Stiftung.

Brought to you by

Margaux Morel
Margaux Morel Associate Vice President, Specialist and Head of the Day and Works on Paper sales

Lot Essay

A key figure in the German Expressionist movement and a prominent member of the Der Blaue Reiter group, Gabriele Münter is regarded as one of the most influential artists of the early 20th century. In 1931, Münter moved from Munich back to Murnau, the picturesque town in the Bavarian Alps where she had lived with Wassily Kandisky before the outbreak of World War I. This move marked a revival in her creative output, characterized by the depiction of more intimate subjects, a shift towards simplicity amidst turbulent political times. The present still life showcases Münter’s characteristic use of color and form—the flowers are rendered with vibrant hues, each petal outlined in bold, confident strokes, where the blooms seem to pulse with energy. The arrangement of the flowers seems almost spontaneous, as if captured in the act of growth itself.

More from Impressionist & Modern Art Day Sale

View All
View All