Lot Essay
Schulz (loc. cit., p. 184) dates the present work to the late 1660s, when the artist was in the latter stages of his career and winter scenes made up the majority of his output. He also notes the presence of 'fragments' of a monogram, but this is no longer visible (ibid.)
In 1891 this painting was acquired by Sir George Salting, one of the most prominent collectors of fine and decorative arts of his time. When he died in 1909, the majority of his collection was left to the Nation; he bequeathed his ceramics to the Victoria and Albert Museum, his prints and drawings to the British Museum and most of his pictures to the National Gallery, London. His gift of 192 pictures included masterpieces by Johannes Vermeer, Dirk Bouts and Frans Hals. The remaining works in his estate were inherited by his niece, Lady Katherine Binning.
In 1891 this painting was acquired by Sir George Salting, one of the most prominent collectors of fine and decorative arts of his time. When he died in 1909, the majority of his collection was left to the Nation; he bequeathed his ceramics to the Victoria and Albert Museum, his prints and drawings to the British Museum and most of his pictures to the National Gallery, London. His gift of 192 pictures included masterpieces by Johannes Vermeer, Dirk Bouts and Frans Hals. The remaining works in his estate were inherited by his niece, Lady Katherine Binning.
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