EDWARD JOHN GREGORY, R.A. (SOUTHAMPTON 1850-1909 GREAT MARLOW)
EDWARD JOHN GREGORY, R.A. (SOUTHAMPTON 1850-1909 GREAT MARLOW)
EDWARD JOHN GREGORY, R.A. (SOUTHAMPTON 1850-1909 GREAT MARLOW)
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EDWARD JOHN GREGORY, R.A. (SOUTHAMPTON 1850-1909 GREAT MARLOW)

Piccadilly - Drawing Room Day

細節
EDWARD JOHN GREGORY, R.A. (SOUTHAMPTON 1850-1909 GREAT MARLOW)
Piccadilly - Drawing Room Day
signed and dated 'E. J. Gregory 83' (lower left) and inscribed 'Piccadilly - Drawing room/E. J Gregory, A. R. A/Abercorn place/Maida Vale' (on a fragmentary label on the reverse)
oil on canvas (unlined)
31 x 25 1⁄4 in. (79 x 64.5 cm.)
來源
with Agnews & Sons, London
Humphrey Roberts, Esq., 8 Green Gate Place; by 1857.
Anonymous sale; Phillips, 15 December 1975, lot 128.
with Richard Green, London.
with MacConnal-Mason & Son, London, where purchased by the present owner.
出版
A. L. Baldry, ‘The Art of Edward John Gregory’ in The Studio, 1909, vol. 48, no. 199, p. 87.
展覽
London, Royal Academy, 1883, no. 112.
Manchester, Royal Jubilee Exhibition, 1887, no. 921, as 'Drawing Room Day in Piccadilly', lent by Humphrey Roberts.

榮譽呈獻

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Day Sale

拍品專文

A Drawing Room was the name given to an afternoon reception at Court, when young debutantes were presented to the monarch. It was a day of increased traffic, as carriages containing those destined for Buckingham Palace queued down the Mall and up St James’s. This view looks from the north side of Piccadilly, across to the site of what was to be the Ritz, opened in 1906, adjacent to Green Park. The subject afforded the artist the opportunity to capture a London crowd at its most diverse. An Admiral and a General in their contrasting blue and red uniforms can be seen in the foreground, while the massed bands of the Household Cavalry are about to traverse the middle distance, coming up St James’s from St James’s Palace. The scene is the English equivalent of the daily life of the Parisian boulevards, popularised by Jean Béraud (1849-1935). Gregory was adept at crowd scenes. His most popular picture, Boulter’s Lock, Sunday Afternoon, which depicts boats congesting on the River Thames at Maidenhead, is now in the Lady Lever Art Gallery, Port Sunlight.

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