REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Jan Asselijn, Painter ('Krabbetje')

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Asselijn, Painter ('Krabbetje')
etching with engraving and drypoint
circa 1647
on laid paper, watermark fragment Strasbourg Bend with Initials GVH (Hinterding F.a.a.)
a fine impression of the fourth state (of seven)
printing sharply and darkly, with great contrasts and depth
with touches of burr and a subtle plate tone, more pronounced towards the edges
with small margins
in very good condition
Plate 217 x 170 mm.
Sheet 219 x 175 mm.
Provenance
Unidentified, initials ED in pencil verso (not in Lugt).
Arthur Friederich Theodor Bohnenberger (1826-1893), Stuttgart (Lugt 68); then presumably by descent to his son Theodor (1868-1941); probably sold to Gutekunst & Klipstein, Bern, in 1920-21.
Carl Oscar Schniewind (1900-1957), Chicago (Lugt 641a); presumably acquired from the above.
With Kennedy Galleries, New York (with their stocknumber a 20778 in pencil verso).
With Theodore B. Donson Ltd., New York.
Sam Josefowitz (Lugt 6094); acquired from the above in 1984; then by descent to the present owners.
Literature
Bartsch, Hollstein 277; Hind 227; New Hollstein 236
Stogdon p. 329

Brought to you by

Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

Jan Asselijn (1610-1652) was a Dutch landscape painter who had worked in Rome, where his Dutch fellow-painters gave him the rather insensitive nickname 'Krabbetje’ (little crab), referring to a malformation of his left hand. It is Rembrandt's first printed portrait of another artist, created soon after Asselijn had returned to Holland. Rembrandt depicts him elegantly dressed in a confident pose, with his misshapen hand resting on his hip, discreetly hidden amongst the folds of his luxurious clothes. On the table at left, we see his attributes as a painter, a palette and some brushes, as well as some books to demonstrate his learning. In the first state, an easel with an Italianate landscape stood behind the painter but was soon removed in the subsequent state.

More from The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn - Part III

View All
View All