REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Virgin and Child with the Cat and the Snake

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Virgin and Child with the Cat and the Snake
etching
1654
on laid paper, without watermark
a very fine, atmospheric impression of the first state (of four)
printing darkly and richly, with much plate tone
with margins
in very good condition
Plate 95 x 144 mm.
Sheet 101 x 151 mm.
Provenance
Dr. Axel C. Widstrand (b. 1866), Stockholm (without stamp, see Lugt 2630a).
With Craddock & Barnard, London (presumably acquired from the above).
George Bjørklund (1887- after 1968), Stockholm (Lugt 1138c); acquired from the above (according to Stogdon); his sale, Klipstein & Kornfeld, Bern, 4 June 1957, lot 241a.197 ('Vortrefflich und sehr gut erhalten. Mit Rand. Slg. Widstrand').
With August Laube Kunsthandel, Zurich (with their stocknumber 30062 in pencil verso).
Sam Josefowitz (Lugt 6094); acquired from the above in 1970; then by descent to the present owners.
Literature
Bartsch, Hollstein 63; Hind 275; New Hollstein 278 (this impression cited)
Stogdon p. 272

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Stefano Franceschi
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Lot Essay

This tender, domestic scene of the Virgin and Child includes some fundamental Christian symbols. As the cat plays with the hem of Mary’s dress at left, a snake slithers out from underneath. Mary however has managed to trap the snake under her foot, thus foreshadowing Christ’s destiny as the Redeemer, the triumph of Good over Evil and the overcoming of the Original Sin. Outside, Joseph looks in through the window, present but separate from the Virgin and Child. This plate is part of a small, probably never completed series of prints of a modest, horizontal format dedicated to various scenes from the childhood and youth of Christ (see also lots 31, 36 & 41). Rembrandt's figure of the Virgin closely embracing the Christ child is clearly inspired by Mantegna's engraving of the Virgin and Child of circa 1470-1480 (B. 8; see p. 6), an impression of which he may have seen or even held in his extensive collection of prints.

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