REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Three Heads of Women, one asleep

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Three Heads of Women, one asleep
etching
1637
on laid paper, watermark Single-headed Eagle (Hinterding B'.b.a)
a very fine, early impression of the first state (of three)
printing sharply and with great contrasts
with small margins on three sides, a thread margin below
various thin spots and a few tiny repairs
otherwise in good condition
Plate 142 x 97 mm.
Sheet 144 x 99 mm.
Provenance
Unidentified, letters N. R. in a double triangle in brown ink (not in Lugt).
Edward Vernon Utterson (1775 or 1776-1856), London and Isle of Wight (Lugt 909, recto); his sale, Christie's, London, 17 February 1848, lot 98 (£ 10.6; to Hodges).
Edward Smith Jr. (2nd half 19th century), London (Lugt 2897); Sotheby’s, London, 20 November 1880, lot 161 ('from the Utterson Collection’) (£4.2.6; to Noseda).
With Mayfair Kunst A. G. (Ira Gale), Zug.
Sam Josefowitz (Lugt 6094; on the support sheet recto); acquired from the above; then by descent to the present owners.
Literature
Bartsch, Hollstein 368; Hind 152; New Hollstein 161 (this impression cited)
Stogdon 143

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Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

This print is one of a small number of study sheets which feature Rembrandt’s wife, Saskia (B. 365, 19, 367; New Holl. 157-58, 162). In this example, three heads are depicted; the two women seen in profile can be identified as Saskia, the third figure, sleeping with her head resting in her hand, appears to be a different model. Given the intimate spontaneity of the image and the likeness of the women, it is likely that Rembrandt worked directly onto the plate while Saskia and the other model were unaware of being observed.
Study sheets such as the present one were something of a specialty of Rembrandts, who created a fair number of them (see also lot 6). Perhaps they appealed particularly to collectors of drawings, who took pleasure in seeing 'unfinished' works. Although the present print is one of the more composed examples, while others look decidedly jumbled, the appeal of these study sheet prints is the illusion of looking over the shoulder of the artist as he sketches what is before his eyes.

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