REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Flute Player ('Het Uilenspiegeltje')

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Flute Player ('Het Uilenspiegeltje')
etching and drypoint
1642
on laid paper, watermark Foolscap with five-pointed Collar (similar to Hinterding H.b.)
a very good impression of the fourth, final state
printing with good clarity and contrasts, and a light plate tone
with narrow margins
generally in good condition
Plate 116 x 142 mm.
Sheet 118 x 145 mm.
Provenance
Sotheby’s, London, 8 April 1970, lot 45.
Sam Josefowitz (Lugt 6094); acquired at the above sale (through Gale); then by descent to the present owners.
Literature
Bartsch, Hollstein 188; Hind 200; New Hollstein 211 (this impression cited)
Stogdon p. 303

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Stefano Franceschi
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Lot Essay

In the circle of print lovers and collectors, the present work was long known as Uilenspiegel ('Owl-glass') after the protagonist of a popular folk-tale. The name of this notorious trickster and jester was proverbial from the 16th century onwards, and used to denote someone with a wily nature. The term 'to play Uilenspiegel's flute' meant to talk rubbish or to take someone for a ride. The owl on the shepherd's shoulder makes reference to this, and acts as a symbol of the night. Ostensibly he is playing the flute, but in reality he is absorbed in less high-minded pursuits, as he furtively looks up the shepherdess's skirt. The herd of sheep and goats to the right take advantage of his distraction and fight to get at the water. Goats have always been associated with lustfulness, and his flute may in itself also be a double-entendre.

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