Lot Essay
The present figure of a river god is a magnificent example of glazed soft-paste porcelain sculpture, its underside revealing exactly the same sort of handwork one would expect to find under a terracotta sculpture. It is likely the only one of the five examples known that will come onto the art market, all others being held either in public collections or in a private collection unlikely to be sold.
Its attribution to the sculptor Louis Antoine Fournier (1720-1786) is based on payment to him in 1747 as recorded in the Vincennes archives:
For a model of a naiad, 48 livres.
For a model in terracotta, 48 livres.
For mending and repairing 3 river gods and 3 naiads (no price mentioned).
The 3 fleuves et 3 nayades mentioned may well be the three pair extant:
· the pair now at the Rhode Island School of Design Museum (2017.74.31.1 - Gift and Bequest from the Collection of David and Peggy Rockefeller).
· the pair now in a private New York collection
· the pair acquired by Dragesco in the 1990s of which the present example is the male figure.
Also extant are two examples of just the river god: one at Art Institute of Chicago [1993.350], the other at the Clark Art Institute, Williamstown, Massachusetts [1972.13], a slightly variant model, the base with the additional flowers and a larger paddle.
See Xavier Roger Marie, comte de Chavagnac & Gaston Antoine, marquis de Grollier, Histoire des manufactures françaises de porcelaine, Paris, 1906, p. 261 (chapter headed Sculpture de Porcelain Emaillé – Documents recueillis aux Archives de Sèvres).
Its attribution to the sculptor Louis Antoine Fournier (1720-1786) is based on payment to him in 1747 as recorded in the Vincennes archives:
For a model of a naiad, 48 livres.
For a model in terracotta, 48 livres.
For mending and repairing 3 river gods and 3 naiads (no price mentioned).
The 3 fleuves et 3 nayades mentioned may well be the three pair extant:
· the pair now at the Rhode Island School of Design Museum (2017.74.31.1 - Gift and Bequest from the Collection of David and Peggy Rockefeller).
· the pair now in a private New York collection
· the pair acquired by Dragesco in the 1990s of which the present example is the male figure.
Also extant are two examples of just the river god: one at Art Institute of Chicago [1993.350], the other at the Clark Art Institute, Williamstown, Massachusetts [1972.13], a slightly variant model, the base with the additional flowers and a larger paddle.
See Xavier Roger Marie, comte de Chavagnac & Gaston Antoine, marquis de Grollier, Histoire des manufactures françaises de porcelaine, Paris, 1906, p. 261 (chapter headed Sculpture de Porcelain Emaillé – Documents recueillis aux Archives de Sèvres).
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