A PAIR OF GEORGE III ORMOLU-MOUNTED BLUE JOHN AND GLASS ‘CLEOPATRA’ CANDLE-VASES
A PAIR OF GEORGE III ORMOLU-MOUNTED BLUE JOHN AND GLASS ‘CLEOPATRA’ CANDLE-VASES
A PAIR OF GEORGE III ORMOLU-MOUNTED BLUE JOHN AND GLASS ‘CLEOPATRA’ CANDLE-VASES
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A PAIR OF GEORGE III ORMOLU-MOUNTED BLUE JOHN AND GLASS ‘CLEOPATRA’ CANDLE-VASES
7 More
A PAIR OF GEORGE III ORMOLU-MOUNTED BLUE JOHN AND GLASS ‘CLEOPATRA’ CANDLE-VASES

BY MATTHEW BOULTON, CIRCA 1770

Details
A PAIR OF GEORGE III ORMOLU-MOUNTED BLUE JOHN AND GLASS ‘CLEOPATRA’ CANDLE-VASES
BY MATTHEW BOULTON, CIRCA 1770
Each with removable domed lid above a garland-embellished body, the pedestal sides with black and white glass simulated marble panels, each centered by an oval portrait medallion of Ceres on a stepped plinth with ball feet
10 ½ in. (25.7 cm.) high
Provenance
With Frank Partridge, London.
Acquired by Irene Roosevelt Aitken from the above in 2015.

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Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

Matthew Boulton's candle-vases of this pattern were among the first to be made at Soho. Early in 1770, Boulton thought that Augusta, the Dowager Princess of Wales, might be persuaded to buy a pair of 'Cleopatra' vases, although his description ends there. In the same year, the Marquess of Rockingham bought a pair, though there is no indication of precisely what form these vases took. This vase pattern was invented for 'altar-pedestals' bearing 'Cleopatra' medallions, and feature in Boulton's Pattern Book I (N. Goodison, Matthew Boulton: Ormolu, London, 2002, p. 330, pl. 330). The depiction derives from a James Tassie gem (ibid., p. 329, pl. 74:3).The medallions, however, actually depict Ceres, the goddess of plenty. It appears that at the time, Ceres was mistaken for Cleopatra.
Like many of Boulton's models, variations of this type exist. Many examples lack the Ceres/Cleopatra medallions altogether. Other known examples also feature glass bases simulating different stones such as lapis, agate, and aventurine (ibid., pl. 329), rather than a simulated marble as they do here. For a pair with simulated malachite glass bases, though lacking medallions, see Christie's, 17 May 2017, lot 63.

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