A FRENCH ORMOLU, MARBLE AND SEVRES PORCELAIN-MOUNTED TULIPWOOD AND AMARANTH OCCASIONAL TABLE
A FRENCH ORMOLU, MARBLE AND SEVRES PORCELAIN-MOUNTED TULIPWOOD AND AMARANTH OCCASIONAL TABLE
A FRENCH ORMOLU, MARBLE AND SEVRES PORCELAIN-MOUNTED TULIPWOOD AND AMARANTH OCCASIONAL TABLE
A FRENCH ORMOLU, MARBLE AND SEVRES PORCELAIN-MOUNTED TULIPWOOD AND AMARANTH OCCASIONAL TABLE
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A FRENCH ORMOLU, MARBLE AND SEVRES PORCELAIN-MOUNTED TULIPWOOD AND AMARANTH OCCASIONAL TABLE

19TH CENTURY

Details
A FRENCH ORMOLU, MARBLE AND SEVRES PORCELAIN-MOUNTED TULIPWOOD AND AMARANTH OCCASIONAL TABLE
19TH CENTURY
The circular top and paneled frieze inset with associated eighteenth-century floral-painted Sèvres porcelain elements, the frieze drawer over three stop-fluted supports joined by an undertier set with white marble, on cabriole legs with scrolled sabots, stamped spuriously 'CARLIN' and 'JME'
30 ½ in. (77.5 cm.) high, 16 in. (41 cm.) wide, 15 ½ in. (39.5 cm.) deep
Provenance
With French & Co., New York.
Thelma Chrysler Foy (1902-1957), New York and Locust Valley, Long Island; Parke-Bernet Galleries, New York, 13-16 May 1959, lot 332.
With The Antique Company of New York.
Acquired by Annie Laurie Aitken (1900-1984) and Russell Barnett Aitken (1910-2002) from the above, 11 November 1964.
Literature
Exhibition catalogue, Artistic Beauty of the Centuries, New York, Art and Antique Dealers League of America, 1966, p. 49.
R.H. Rush, Antiques as an Investment, New York, 1968, p. 109.
Exhibited
New York, Art and Antique Dealers League of America, The Lighthouse, Artistic Beauty of the Centuries, 3 - 17 May 1966.

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Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

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Lot Essay

The design of this table was clearly influenced by the oeuvre of one of the finest cabinetmakers of the eighteenth century, Martin Carlin. Porcelain-inlaid tables, produced by the marchand-merciers, were considered among the most luxurious and fashionable furniture of the Louis XVI period. Small tables or tables en chiffonnière mounted with fashionable and expensive Sèvres porcelain plaques were first developed in the rocaille style by marchand-mercier Simon-Philippe Poirier circa 1760 as a collaboration with ébénistes such as BVRB and Lacroix. Carlin perfected this type of furniture and introduced circular tables with porcelain tops and friezes in 1771. Examples of such tables include one in the J. Paul Getty Museum, Los Angeles, formerly in the collection of Alfred de Rothschild at Halton and another in the musée du Louvre (OA 10 467), illustrated in D. Alcouffe et al., Le Mobilier du Musée du Louvre, Dijon, 1993, Vol. I, p. 228, cat. 69. For one of Carlin’s most-recently-sold porcelain-inlaid tables comparable to this lot see Rothschild Masterpieces: Le Goût Rothschild; Christie’s, New York, 13 October 2023, lot 347. A closely related 19th century porcelain-mounted gueridon was sold Christie's, London, 2 December 1998, lot 88.

THELMA CHRYSLER FOY
Thelma Chrysler Foy (1902-1957), elder daughter of Walter Chrysler, was a celebrated society hostess, dubbed by the New York Times as 'the woman of the greatest taste ... in New York'. Famed for her impeccable eye for both art and fashion, she appeared several times on the annual list of the ten best dressed women in the country. Thelma and her husband Byron Foy owned an extensive and well-known collection of French Impressionist art which adorned their homes, furnished lavishly with eighteenth-century French furniture, as was de rigueur at the time. Their collection included works by the best in both fine and decorative arts, such as Carlin, Weisweiler, Oeben, Renoir, Degas, Vuillard, Houdon, Falconet, Clodion and Giovanni da Bologna, to name a few. Thelma’s influence on the next generation of socialites was immense, and many followed her stylistic choices when creating their homes. In fact, Jayne Wrightsman, undoubtedly one of the greatest collectors of eighteenth-century French decorative arts in America, was much inspired by the Foys' collecting. Thelma and Byron shared spectacular residences, including an apartment at 740 Park Avenue, a town house on 91st street originally built by the Vanderbilts, and a country estate in Locust Valley. Parke Bernet offered her extensive collection from both her Park Avenue and Locust Valley residences in a landmark series of auctions 13-23 May 1959. Pieces from her estate are now in the collection of the Metropolitan Museum of Art, including Picasso’s L'Acteur, a pair of fauteuils by Chevigny, and a Louis XIV Boulle marquetry bureau plat. A portion of her wardrobe is preserved at the Costume Institute of the Metropolitan Museum of Art. Among her sumptuous jewelry was a stunning 54.03 carat pear-shaped diamond necklace that sold Christie’s, New York, 8 June 2021, lot 135.

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