Lot Essay
Marianne Roland-Michel suggested that this charming trompe l’oeil of a bas-relief, along with a second version painted the following year, is based on a terracotta sculpture by Claude Michel, known as Clodion (1970, loc. cit.). The sculpture was part of Anne Vallayer-Coster’s collection until her death and was sold in her estate sale in 1824 (see Paillet, Paris, 21 June 1824, lot 75). One of the two versions of the composition remained in the artist’s possession, which is typically believed to be the slightly later 1774 painting. Eik Kang and Roland-Michel note in their 2002 catalogue that it is ultimately impossible to determine which one of the two paintings remained in the artist's collection (loc. cit.).
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