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Property from a Distinguished Private Collection
GIOVANNI ANTONIO CANAL, CALLED IL CANALETTO (VENICE 1697–1768)
Venice, the Bucintoro at the Molo on Ascension Day
细节
GIOVANNI ANTONIO CANAL, CALLED IL CANALETTO (VENICE 1697–1768)
Venice, the Bucintoro at the Molo on Ascension Day
oil on canvas
59 ¾ x 54 in. (151.7 x 137.1 cm.)
Venice, the Bucintoro at the Molo on Ascension Day
oil on canvas
59 ¾ x 54 in. (151.7 x 137.1 cm.)
来源
Commissioned by a member of the King family, very probably the Hon. Thomas King, later 5th Baron King (1712–1779), London and Ockham Park, Surrey, and by descent through his great grandson,
Willam King (later King-Noel), 8th Baron King and 1st Earl of Lovelace, later Viscount and Baron Ockham (1805–1893), who in 1846 moved to Horsley Towers, East Horsley, to his son,
Ralph Gordon King-Noel (later King-Milbanke), 2nd Earl of Lovelace (1839–1906), who returned to Ockham Park, to his half-brother,
Major Lionel Fortescue King, 3rd Earl of Lovelace (1865–1929), by whom moved to Whitwell Hatch, Haslemere (by 1926), and his son,
Peter King, 11th Lord King and 4th Earl of Lovelace (1905–1964); Sotheby’s, London, 13 July 1937, lot 135 (£2,100 to Spalding).
P.E. Spalding, USA (according to Fondazione Zeri photographic archive, no. 68887).
Anonymous sale [The Property of a Lady], Sotheby’s, London, 12 December 1973, lot 9 (£280,000 to Vincent).
António de Sommer Champalimaud (1918–2004), from whose collection sold, Christie’s, London, 8 July 2005, lot CH20, where acquired.
Willam King (later King-Noel), 8th Baron King and 1st Earl of Lovelace, later Viscount and Baron Ockham (1805–1893), who in 1846 moved to Horsley Towers, East Horsley, to his son,
Ralph Gordon King-Noel (later King-Milbanke), 2nd Earl of Lovelace (1839–1906), who returned to Ockham Park, to his half-brother,
Major Lionel Fortescue King, 3rd Earl of Lovelace (1865–1929), by whom moved to Whitwell Hatch, Haslemere (by 1926), and his son,
Peter King, 11th Lord King and 4th Earl of Lovelace (1905–1964); Sotheby’s, London, 13 July 1937, lot 135 (£2,100 to Spalding).
P.E. Spalding, USA (according to Fondazione Zeri photographic archive, no. 68887).
Anonymous sale [The Property of a Lady], Sotheby’s, London, 12 December 1973, lot 9 (£280,000 to Vincent).
António de Sommer Champalimaud (1918–2004), from whose collection sold, Christie’s, London, 8 July 2005, lot CH20, where acquired.
出版
The Evening News, 29 June 1937.
The Illustrated London News, 3 July 1937, p. 18, illustrated.
Edinburgh Evening News, 14 July 1937, p. 6.
News Chronicle, 14 July 1937, p. 3.
The Scotsman, 14 July 1937, p. 15.
Derby Evening Telegraph, 15 July 1937, p. 4.
W.G. Constable, Canaletto: Giovanni Antonio Canal 1697-1768, Oxford, 1962, I, pl. 65; II, p. 338, no. 343.
L. Puppi, L’opera completa del Canaletto, Milan, 1968, p. 112, no. 256, illustrated, tentatively dated to 1746.
Advertisement in The Burlington Magazine, 115, 849, December, 1973, p. i, illustrated.
L. Puppi, Tout l’oeuvre peint de Canaletto, Paris 1975, p. 112, no. 256, illustrated, tentatively dated to 1746.
W.G. Constable, ed. J.G. Links, Canaletto: Giovanni Antonio Canal 1697-1768, Oxford, 1976, I, pl. 65; II, pp. 362-263, no. 343.
A. Corboz, Canaletto: Una Venezia immaginaria, Milan, 1985, I, p. 106, fig. 110 (detail); II, p. 664, no. P364, illustrated.
F. Russell, ‘A Suffusion of Light’, Country Life, 187, October 1993, p. 64.
C. Beddington, ‘Canaletto in England’, in Canaletto in England: a Venetian artist abroad, 1746-1755, New Haven, 2006, exhibition catalogue, pp. 24-26, 29, note 123, and p. 25, fig. 17, as ‘the most monumental of all Canaletto’s depictions of The Bacino di San Marco on Ascension Day, the most glamorous of all Venetian subjects’.
F. Russell, ‘Patterns of Patronage’, in C. Beddington ed., Canaletto in England: a Venetian artist abroad, 1746-1755, New Haven, 2006, exhibition catalogue, pp. 46-47, note 32.
C. Beddington, in Canaletto: Painting Venice. The Woburn Series, exhibition catalogue, London, 2021, pp. 182-183, note 15.
The Illustrated London News, 3 July 1937, p. 18, illustrated.
Edinburgh Evening News, 14 July 1937, p. 6.
News Chronicle, 14 July 1937, p. 3.
The Scotsman, 14 July 1937, p. 15.
Derby Evening Telegraph, 15 July 1937, p. 4.
W.G. Constable, Canaletto: Giovanni Antonio Canal 1697-1768, Oxford, 1962, I, pl. 65; II, p. 338, no. 343.
L. Puppi, L’opera completa del Canaletto, Milan, 1968, p. 112, no. 256, illustrated, tentatively dated to 1746.
Advertisement in The Burlington Magazine, 115, 849, December, 1973, p. i, illustrated.
L. Puppi, Tout l’oeuvre peint de Canaletto, Paris 1975, p. 112, no. 256, illustrated, tentatively dated to 1746.
W.G. Constable, ed. J.G. Links, Canaletto: Giovanni Antonio Canal 1697-1768, Oxford, 1976, I, pl. 65; II, pp. 362-263, no. 343.
A. Corboz, Canaletto: Una Venezia immaginaria, Milan, 1985, I, p. 106, fig. 110 (detail); II, p. 664, no. P364, illustrated.
F. Russell, ‘A Suffusion of Light’, Country Life, 187, October 1993, p. 64.
C. Beddington, ‘Canaletto in England’, in Canaletto in England: a Venetian artist abroad, 1746-1755, New Haven, 2006, exhibition catalogue, pp. 24-26, 29, note 123, and p. 25, fig. 17, as ‘the most monumental of all Canaletto’s depictions of The Bacino di San Marco on Ascension Day, the most glamorous of all Venetian subjects’.
F. Russell, ‘Patterns of Patronage’, in C. Beddington ed., Canaletto in England: a Venetian artist abroad, 1746-1755, New Haven, 2006, exhibition catalogue, pp. 46-47, note 32.
C. Beddington, in Canaletto: Painting Venice. The Woburn Series, exhibition catalogue, London, 2021, pp. 182-183, note 15.
荣誉呈献
Jennifer Wright
Head of Department