GIOVANNI BATTISTA PITTONI (VENICE 1687-1767)
PROPERTY FROM A DISTINGUISHED EUROPEAN COLLECTION
GIOVANNI BATTISTA PITTONI (VENICE 1687-1767)

Elijah ascends to heaven in a chariot of fire and drops his cloak to Elisha

Details
GIOVANNI BATTISTA PITTONI (VENICE 1687-1767)
Elijah ascends to heaven in a chariot of fire and drops his cloak to Elisha
with inscription 'Carlo Maratti/ very fine' (lower left)
black chalk, red wash, heightened with white
17 ¾ x 27 ½ in. (45 x 59.9 cm)
Provenance
Private collection, England (according to the inscription at lower left).
with Colnaghi, London, 1972 (as Francesco Fontebasso).
Literature
F. Zava Boccazzi, 'Per il catalogo di Giambattista Pittoni: proposte e inediti', Arte Veneta, XXVIII, 1974, p. 199, ill.
F. Zava Boccazzi, Pittoni. L'opera completa, Venice, 1979, no. D53, ill.
Venise, l'art de la Serenissima. Dessins des XVIIe et XVIIIe siècles, exhib. cat., Montpellier, musée Fabre, 2006-2007, p. 168, under no. 73 (catalogue entry by Valentine Toutain-Quittelier).

Brought to you by

Giada Damen, Ph.D.
Giada Damen, Ph.D. AVP, Specialist, Head of Sale

Lot Essay

The drawing documents a lost fresco decoration probably for a church ceiling by Giovanni Battista Pittoni. The composition was inspired by Rubens's ceiling decoration for the Jesuit church in Antwerp, destroyed by fire in 1718, but documented through prints that Pittoni could have known (Zava, op. cit., 1979, pp. 214-215). Two other versions of this composition are known: a red chalk drawing in the Louvre (inv. INV 5473 recto; see Venise, l'art de la Serenissima, op. cit., no. 73 ) and an anonymous copy at the Museo Civico, Bassano (Zava, op. cit., p. 214).

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