JOHANN HEINRICH FÜSSLI, HENRY FUSELI, R.A. (1741-1825)
JOHANN HEINRICH FÜSSLI, HENRY FUSELI, R.A. (1741-1825)
JOHANN HEINRICH FÜSSLI, HENRY FUSELI, R.A. (1741-1825)
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JOHANN HEINRICH FÜSSLI, HENRY FUSELI, R.A. (1741-1825)

A nude Woman seated on another partial nude Figure, with further Figure Studies (recto), and Two Women attending to a Child with a further Figure Study (verso)

Details
JOHANN HEINRICH FÜSSLI, HENRY FUSELI, R.A. (1741-1825)
A nude Woman seated on another partial nude Figure, with further Figure Studies (recto), and Two Women attending to a Child with a further Figure Study (verso)
pencil (recto); pencil, pen and black ink (verso) on paper, watermark IVY MILL / 1805
24,6 x 20,3 cm. (10 ¾ x 9 in.)
Provenance
Roger Henry Pocklington Senhouse (1899-1970), London.
Wolf Stubbe (1903-1994), Hamburg; Hauswedell & Nolte, Hamburg, 7 June 2000, lot 237.
Acquired at the above sale; then by descent to the present owners.
Literature
G. Schiff, Johann Heinrich Füssli 1741-1825, Zurich & Munich, 1973, nos. 1622 (recto) & 1625 (verso).
Exhibited
Hamburg, Hamburger Kunsthalle, Weibsbilder, September 2000-March 2001 (no cat.).

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Zack Boutwood
Zack Boutwood Cataloguer

Lot Essay

A taste for fantastic and supernatural themes permeated culture in Britain from around 1770 to 1830 and Füssli – with his predilection for the horrific and the erotically charged – emerged at its centre.

As early as the 1780s, the artist began to explore his interest in the mystical, demonic, and mythological. This double-sided sheet can be dated to between 1810-1820 (according to G. Schiff) and is typical of Füssli's characteristically erotic œuvre, with the elaborate hairstyles depicted both recto and verso much like those in his drawings of courtesans.

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