ODILON REDON (1840-1916)
ODILON REDON (1840-1916)
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ODILON REDON (1840-1916)

La Peur

Details
ODILON REDON (1840-1916)
La Peur
etching
1866
on wove paper, watermark MBM
signed in pencil
a fine, rich and tonal proof impression of the extremely rare second state (of three)
before the two editions of 1866 and 1922 of thirty copies each
with wide margins
some light-staining and two repaired tears in the margins
Plate 14 x 22,3 cm. (5 ½ x 8 ¾ in.)
Sheet 22,4 x 29,8 cm. (8 7⁄8 x 11 ¾ in.)
Provenance
Galerie Kornfeld, Bern, 23 June 2000, lot 878 ('Prachtvoller Probedruck des höchst seltenen II. Zustands...').
Acquired at the above sale; then by descent to present owners.
Literature
A. Mellerio, Odilon Redon, New York, 1968, no. 6, p. 87 (another impression ill.).
S. Harrison, The Etchings of Odilon Redon, New York, 1986, no. 7, plate 7.ii. (another impression ill.).
Exhibited
Hamburg, Hamburger Kunsthalle, Traumwandler - Odilon Redon und Rodolphe Bresdin, February - June 2003 (no cat.).

Brought to you by

Zack Boutwood
Zack Boutwood Cataloguer

Lot Essay

Sharon Harrison records only three impressions of the first state, with the etched signature and date (Rijksmuseum, Amsterdam; Museum of Fine Arts, Boston; Private Collection, Switzerland). Of the present second state, with the etched signature remaining but the date burnished off, she also lists three examples, all signed in pencil (two at the Art Institute of Chicago; one at the Kunstmuseum, Winterthur).
In the third, final state, the etched signature was removed and an edition of thirty copies printed in 1866 in Paris. A second, posthumous edition of thirty impressions was printed in 1922 at the request of the artist's widow.
The subject is based on the poem Der Erlkönig by Johann Wolfgang von Goethe (1749-1832), a ballad famously set to music by Franz Schubert (1797-1828). In the song, the hammering notes of the piano are suggestive of the horse's frantic gallop, as the rider desperately tries to bring his sick child to safety, while the boy - visible in Redon's print mainly by his pale legs dangling down the side as he clings onto his father's neck - is retelling his feverish visions of the Erlkönig, the King of the Fairies, first tempting, then threatening to take him away - as he tragically does in the end.

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