GIBSON INCORPORATED, KALAMAZOO, MI, CIRCA 1952
GIBSON INCORPORATED, KALAMAZOO, MI, CIRCA 1952
GIBSON INCORPORATED, KALAMAZOO, MI, CIRCA 1952
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GIBSON INCORPORATED, KALAMAZOO, MI, CIRCA 1952
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GIBSON INCORPORATED, KALAMAZOO, MICHIGAN, CIRCA 1952

AN ACOUSTIC GUITAR, SJ-200

Details
GIBSON INCORPORATED, KALAMAZOO, MICHIGAN, CIRCA 1952
AN ACOUSTIC GUITAR, SJ-200
The logo Gibson inlaid at the headstock, factory order number ink stamped at the neck block internally Z2176 7, labeled internally Style GUITAR / Gibson SJ-200/ Gibson GUITAR/ Number A-13292 is hereby / GUARANTEED / against faulty workmanship and materials. / Gibson INC. / KALAMAZOO, MICHIGAN, / U.S.A., with maple back and sides and spruce top, natural finish, with mother-of-pearl inlaid Brazilian rosewood 'mustache' bridge, the two-piece maple neck with bound Brazilian rosewood fingerboard with mother-of-pearl crowned inlay, with original hardshell case
Length of back: 2015⁄16 in. (53.3 cm.)
Overall length: 42 1⁄8 in. (107 cm.)
Provenance
Acquired from Guitar Center, Indianapolis, October 25, 2005.

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Lot Essay

Next to the Martin D-28, the Gibson J-200 is undoubtedly the most iconic American acoustic guitar ever produced. From its inception in 1937 as the Super Jumbo 200 (SJ-200) it was first seen on stage and made famous by the country and western artist Ray Whitley. The J-200 quickly became the instrument of choice for performers looking for the tonal projection and deep bass resonance delivered by its huge curvaceous body. At just shy of 17 inches across, it was the widest flat-top guitar ever produced and drew the eyes and ears of the audience to any performer who strapped one on. First embraced by country and western stars of the 1930s and 40s such as Roy Rogers, the guitar quickly found its raison d'être in the world of rock and roll. The Everly Brothers, Elvis Presley, Pete Townshend, George Harrison, Jimmy Page, and Bob Dylan are just a few of the artists whose signature sound is linked to the J-200.

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