A BRONZE RITUAL TRIPOD FOOD VESSEL, LI
A BRONZE RITUAL TRIPOD FOOD VESSEL, LI
A BRONZE RITUAL TRIPOD FOOD VESSEL, LI
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Early Chinese Bronzes from the Shouyang Studio
A BRONZE RITUAL TRIPOD FOOD VESSEL, LI

EARLY SHANG DYNASTY, ERLIGANG PERIOD, C. 1600-1400 BC

Details
A BRONZE RITUAL TRIPOD FOOD VESSEL, LI
EARLY SHANG DYNASTY, ERLIGANG PERIOD, C. 1600-1400 BC
7 1⁄8 in. (18.2 cm.) high, cloth box
Provenance
J. J. Lally & Co., New York, 1993.
The Shouyang Studio, New York.
Literature
J. J. Lally & Co., Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others, New York, 1993, no. 116.
Zhou Ya, Ma Jinhong, and Hu Jialin ed., Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, Shanghai, 2008, pp. 36-7, no. 8.
Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, Ningbo, 2009, p. 6.
Exhibited
New York, J. J. Lally & Co., Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others, 4-30 June 1993, no. 116.
Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, October 2008 - January 2011: Shanghai, Shanghai Museum; Hong Kong, Art Gallery, The Chinese University of Hong Kong; Ningbo, Ningbo Museum; Chicago, Art Institute of Chicago, no. 8.
Sale room notice
Please note the provenance and the exhibition information has been updated as follows:

Provenance:
J. J. Lally & Co., New York, 1993.
The Shouyang Studio, New York.

Exhibition:
New York, J. J. Lally & Co., Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others, 4-30 June 1993, no. 116.
Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, October 2008 - January 2011: Shanghai, Shanghai Museum; Hong Kong, Art Gallery, The Chinese University of Hong Kong; Ningbo, Ningbo Museum; Chicago, Art Institute of Chicago, no. 8.


請注意,拍品來源及展覽信息已更新如下:

來源:
藍理捷,紐約,1993年
首陽齋,紐約

展覽:
紐約,藍理捷,「Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others」編號116
「首陽吉金:胡盈瑩、范季融藏中國古代青銅器」,2008年10月至2011年1月巡展於上海,上海博物館;香港,香港中文大學文物館;寧波, 寧波博物館;芝加哥,芝加哥藝術博物館,編號8

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Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

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Lot Essay

This rare vessel is raised on three tapering, hollow supports positioned beneath each lobe. The lower body is cast in thread relief with a double zigzag band, and a band of taotie is cast below the flared rim from which rises a pair of bail handles.

In the early Shang dynasty, the lower body of the li vessel featured deeper lobes unified with the neck, but by the mid-Shang dynasty, li such as the present example were designed with greater separation between the body and the neck and had shallower lobes.

Two similar li, also decorated with a band of taotie, have been published. The first was found at Liulige, Huixian, Henan Province, no. 110 burial, and is illustrated in Zhongguo Shehui Kexueyuan Kaogu Yanjiusuo ed., Huixian fajue baogao [Report on Excavations in Huixian], Beijing, 1956, p. 23; and the second was found at Lijiazui in Panlongcheng, Huangpi, Hubei Province, no. 2 burial (see Hubei Sheng Wenwu Kaogu Yanjiusuo ed., Panlongcheng: 1963-1994 nian Kaogu Fajue Baogao [The Panlongcheng Site: Report of Archaeological Excavation from 1963 to 1994], vol. 1, Beijing, 2001, p. 172, fig. 114). The band of taotie on the Shouyang Studio li is stylized slightly differently, and the walls of the current vessel are notably thicker than those examples.

See, also, a li dated to the early Shang dynasty, of similar proportions but raised on slightly shorter legs and with narrow bands of circles flanking the geometric band beneath the rim, from Famen City, Fufeng County, Shaanxi Province, illustrated in Wu Zhefu, Zhonghua wu qian nian wen wu ji kan. Qing tong qi pian, Li Vessels, vol. 5, Taipei, 1990, p. 75, no. 19. Also illustrated, p. 73, no. 15, is another related li of early Shang date, but lacking the double zigzag band on the lower body, from Wangjinglou, Xinzheng County, Henan Province.

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