A SUPERB EMERALD-GREEN-SPLASHED JADEITE SNUFF BOTTLE
A SUPERB EMERALD-GREEN-SPLASHED JADEITE SNUFF BOTTLE
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Property from a Private Midwestern Collection
A SUPERB EMERALD-GREEN-SPLASHED JADEITE SNUFF BOTTLE

1760-1860

Details
A SUPERB EMERALD-GREEN-SPLASHED JADEITE SNUFF BOTTLE
1760-1860
2 in. (5 cm.) high, tourmaline and pearl stopper
Provenance
Sotheby's Hong Kong, 17 November 1973, lot 343.
Hugh M. Moss Ltd., London, 1980.
J & J Collection of Snuff Bottles, Part III; Christie's New York, 29 March 2006, lot 83.
Literature
Arts of Asia, November-December 1973, p. 10.
100 Selected Chinese Snuff Bottles from the J & J Collection, London, 1987, no. 9.
JICSBS, Autumn 1989, front cover.
H. M. Moss, V. Graham, and Ka Bo Tsang ed., The J & J Collection, vol. 1, New York, 1993, no. 64.
Arts of Asia, November-December 1998, p. 80, fig. 18.
Exhibited
Christie's London, October 1987.
Christie's New York, 1993.
Singapore, Empress Place Museum, 1994
Frankfurt, Museum fur Kunsthandwerk, 1996-1997
London, Percival David Foundation of Chinese Art, 1997
Florida, Naples Museum of Art, 2002
Oregon, Portland Museum of Art, 2002
Taipei, National Museum of History, 2002
New York, International Asian Art Fair, Seventh Regiment Armory, 2003
Beijing, Poly Art Museum, 2003

Brought to you by

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

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Lot Essay

Jadeite comes from a remote part of Burma, and first became a readily available material probably between 1784 and 1800, when relations between Burma and China improved with the opening up of regular trade. It is likely that bottles such as this example represent the earliest popular use of jadeite in China. With the Imperially inspired snuff-bottle craze at its height during the late eighteenth century, there can be no question that a striking new material arriving on the scene would promptly be carved into bottles. Porcelain bottles made to imitate jadeite during the Daoguang period attest to its well-established popularity; cf. the example from the J & J Collection illustrated by Moss et. al., The Art of the Chinese Snuff Bottle, no. 251.

The jadeite material of this bottle is quite extraordinary and has a distinctive, rather milky emerald-green color and textural pattern. There is a small group of bottles of this distinctive stone, all presumably from a single boulder, which are discussed by Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, vol. 1, Jade, no. 187. Another is in H. Moss, Snuff Bottles of China, p. 67, no. 4.

The pleasantly soft polish of this bottle is an appealing change from the glassy glitter generally preferred by the jadeite carver.

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